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Table of Contents

  1. Words in Motion: The Movies, the Readies, and the "Revolution of the Word"
  2. Michael North
  3. pp. 205-223
  4. DOI: https://doi.org/10.1353/mod.2002.0033
  5. restricted access
  1. Documentary/Modernism: Convergence and Complementarity in the 1930s
  2. Tyrus Miller
  3. pp. 226-241
  4. DOI: https://doi.org/10.1353/mod.2002.0032
  5. restricted access
  1. The Mass Panorama
  2. Jeffrey T. Schnapp
  3. pp. 243-281
  4. DOI: https://doi.org/10.1353/mod.2002.0036
  5. restricted access
  1. An Unexpected Beginning: Sex, Race, and History in Eliot's Columbo and Bolo Poems
  2. Gabrielle McIntire
  3. pp. 283-301
  4. DOI: https://doi.org/10.1353/mod.2002.0031
  5. restricted access
  1. "You Must Join My Dead": E. M. Forster and the Death of the Novel
  2. Jesse Matz
  3. pp. 303-317
  4. DOI: https://doi.org/10.1353/mod.2002.0029
  5. restricted access
  1. The Cultural Address of Derek Walcott
  2. Paul Breslin
  3. pp. 319-325
  4. DOI: https://doi.org/10.1353/mod.2002.0024
  5. restricted access
  1. The Iconic Willa Cather
  2. Joseph R. Urgo
  3. pp. 327-333
  4. DOI: https://doi.org/10.1353/mod.2002.0039
  5. restricted access
  1. Irresistible Dictation: Gertrude Stein and the Correlations of Writing and Science (review)
  2. Jennifer Ashton
  3. pp. 335-337
  4. DOI: https://doi.org/10.1353/mod.2002.0020
  5. restricted access
  1. Skeptical Music: Essays on Modern Poetry (review)
  2. Allen R. Grossman
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/mod.2002.0027
  5. restricted access
  1. Deep River: Music and Memory in Harlem Renaissance Thought (review)
  2. Edward M. Pavlic
  3. pp. 339-341
  4. DOI: https://doi.org/10.1353/mod.2002.0034
  5. restricted access
  1. Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (review)
  2. Taylor Aitken Greer
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/mod.2002.0026
  5. restricted access
  1. Marie Lloyd: the One and Only (review)
  2. Lawrence S. Rainey
  3. pp. 343-345
  4. DOI: https://doi.org/10.1353/mod.2002.0035
  5. restricted access
  1. Melodrama and Modernity: Early Sensational Cinema and Its Contexts (review)
  2. David Mayer
  3. pp. 345-347
  4. DOI: https://doi.org/10.1353/mod.2002.0030
  5. restricted access
  1. Revolutionary Acts: Amateur Theater and the Soviet State, 1917-1938 (review)
  2. Catherine Schuler
  3. pp. 347-349
  4. DOI: https://doi.org/10.1353/mod.2002.0037
  5. restricted access
  1. Around Quitting Time: Work and Middle-Class Fantasy in American Fiction (review)
  2. Brenda Choresi Carter
  3. pp. 349-350
  4. DOI: https://doi.org/10.1353/mod.2002.0025
  5. restricted access
  1. White Diaspora: The Suburb and the Twentieth-Century American Novel (review)
  2. Milette Shamir
  3. pp. 351-352
  4. DOI: https://doi.org/10.1353/mod.2002.0038
  5. restricted access
  1. Who Translates?: Translator Subjectivities beyond Reason (review)
  2. Colleen Glenney Boggs
  3. pp. 352-354
  4. DOI: https://doi.org/10.1353/mod.2002.0021
  5. restricted access
  1. Liquid Modernity (review)
  2. Dominic Boyer
  3. pp. 354-356
  4. DOI: https://doi.org/10.1353/mod.2002.0023
  5. restricted access
  1. Fires of Hatred: Ethnic Cleansing in Twentieth-Century Europe (review)
  2. Naomi Mandel
  3. pp. 356-358
  4. DOI: https://doi.org/10.1353/mod.2002.0028
  5. restricted access
  1. Recent Books of Interest
  3. pp. 359-362
  4. DOI: https://doi.org/10.1353/mod.2002.0022
  5. restricted access