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In this Issue

Table of Contents

  1. Recent Books of Interest
  2. pp. 711-713
  3. DOI: https://doi.org/10.1353/mod.2001.0077
  4. restricted access

Articles

  1. Perpetual Revolution
  2. James Buzard
  3. pp. 559-581
  4. DOI: https://doi.org/10.1353/mod.2001.0079
  5. restricted access
  1. Johannes Baader's Plasto-Dio-Dada-Drama : the Mysticism of the Mass Media
  2. Michael White
  3. pp. 583-602
  4. DOI: https://doi.org/10.1353/mod.2001.0097
  5. restricted access
  1. Modernism and the Popular: Eliot's Music Halls
  2. Barry J. Faulk
  3. pp. 603-621
  4. DOI: https://doi.org/10.1353/mod.2001.0082
  5. restricted access
  1. "But Sordello, and My Sordello?": Pound and Browning's Epic
  2. Michaela Giesenkirchen
  3. pp. 623-642
  4. DOI: https://doi.org/10.1353/mod.2001.0084
  5. restricted access
  1. Cinema Regained: Godard Between Proust and Benjamin
  2. Alessia Ricciardi
  3. pp. 643-661
  4. DOI: https://doi.org/10.1353/mod.2001.0094
  5. restricted access
  1. Kubrick and Kafka: The Corporeal Uncanny
  2. Brigitte Peucker
  3. pp. 663-674
  4. DOI: https://doi.org/10.1353/mod.2001.0092
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Review Essays

  1. Demythologizing Sylvia Plath
  2. Paul Breslin
  3. pp. 675-679
  4. DOI: https://doi.org/10.1353/mod.2001.0078
  5. restricted access
  1. Hans Bellmer, History, and Psychoanalysis
  2. Christine Mehring
  3. pp. 681-686
  4. DOI: https://doi.org/10.1353/mod.2001.0089
  5. restricted access

Book Reviews

  1. Genders, Races and Religious Cultures in Modern American Poetry, 1908-1934 (review)
  2. Maria Damon
  3. pp. 687-689
  4. DOI: https://doi.org/10.1353/mod.2001.0080
  5. restricted access
  1. The Films of Fritz Lang: Allegories of Vision and Modernity (review)
  2. Eric Rentschler
  3. pp. 689-691
  4. DOI: https://doi.org/10.1353/mod.2001.0093
  5. restricted access
  1. The Fiction of Geopolitics: Afterimages of Culture, from Wilkie Collins to Alfred Hitchcock (review)
  2. Nico Israel
  3. pp. 691-692
  4. DOI: https://doi.org/10.1353/mod.2001.0086
  5. restricted access
  1. Landing on the Wrong Note: Jazz, Dissonance and Critical Practice (review)
  2. Nicholas Gebhardt
  3. pp. 693-694
  4. DOI: https://doi.org/10.1353/mod.2001.0083
  5. restricted access
  1. Mirrors of Destruction: War, Genocide, and Modern Identity (review)
  2. Eric D. Weitz
  3. pp. 694-696
  4. DOI: https://doi.org/10.1353/mod.2001.0096
  5. restricted access
  1. Modernist Writing and Reactionary Politics (review)
  2. Pericles Lewis
  3. pp. 696-698
  4. DOI: https://doi.org/10.1353/mod.2001.0087
  5. restricted access
  1. Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel (review)
  2. Tyrus Miller
  3. pp. 698-699
  4. DOI: https://doi.org/10.1353/mod.2001.0090
  5. restricted access
  1. Berlin Metropolis: Jews and the New Culture, 1890-1918 (review)
  2. Elizabeth Loentz
  3. pp. 700-701
  4. DOI: https://doi.org/10.1353/mod.2001.0088
  5. restricted access
  1. Identity and Modernity in Latin America (review)
  2. Van Delden, Maarten, 1958-
  3. pp. 702-703
  4. DOI: https://doi.org/10.1353/mod.2001.0095
  5. restricted access
  1. Countermodernism and Francophone Literary Culture: The Game of Slipknot (review)
  2. Nicholas Harrison
  3. pp. 703-705
  4. DOI: https://doi.org/10.1353/mod.2001.0085
  5. restricted access
  1. Invisible Fences: Prose Poetry as a Genre in French and American Literature (review)
  2. Michel Delville
  3. pp. 705-706
  4. DOI: https://doi.org/10.1353/mod.2001.0081
  5. restricted access
  1. Material Modernism: The Politics of the Page (review)
  2. Mark S. Morrisson
  3. pp. 707-709
  4. DOI: https://doi.org/10.1353/mod.2001.0091
  5. restricted access