In this Issue
Founded in 1962 to further the aesthetic study of the poetry of the Victorian period (1830-1914) in Britain, Victorian Poetry today publishes articles from a broad range of theoretical/critical angles, including but not confined to new historicism, feminism, and social/cultural issues. The journal has expanded its purview from the major figures of Victorian England (Tennyson, Browning, the Rossettis, etc.) to a wider compass of poets of all classes and gender indentifications in nineteenth-century Britain and the Commonwealth.
published by
West Virginia University Pressviewing issue
Volume 46, Number 3, Fall 2008Table of Contents
- The Morbid Meters of Maud
- pp. 279-297
- DOI: 10.1353/vp.0.0025
- Call for Papers
- p. 298
- DOI: 10.1353/vp.0.0029
- General Materials
- pp. 299-302
- DOI: 10.1353/vp.0.0019
- Matthew Arnold
- pp. 302-310
- DOI: 10.1353/vp.0.0020
- Elizabeth Barrett Browning
- pp. 310-327
- DOI: 10.1353/vp.0.0016
- Robert Browning
- pp. 328-338
- DOI: 10.1353/vp.0.0026
- Thomas Hardy
- pp. 338-345
- DOI: 10.1353/vp.0.0022
- Hopkins
- pp. 346-352
- DOI: 10.1353/vp.0.0023
- The Poets of the Nineties
- pp. 353-356
- DOI: 10.1353/vp.0.0021
- The Pre-Raphaelites
- pp. 356-365
- DOI: 10.1353/vp.0.0024
- Tennyson
- pp. 366-372
- DOI: 10.1353/vp.0.0015
- Contributors
- pp. 373-374
- DOI: 10.1353/vp.0.0017