1. Why Live?: Performance in the Age of Digital Reproduction
  2. Nicolas Collins
  3. pp. 7-8
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  1. Listening to History: Some Proposals for Reclaiming the Practice of Live Music
  2. Jon Rose
  3. pp. 9-16
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  1. When Sound Meets Movement: Performance in Electronic Dance Music
  2. Pedro Peixoto Ferreira
  3. pp. 17-20
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  1. The Musical Experience through the Lens of Embodiment
  2. Greg Corness
  3. pp. 21-24
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  1. Getting the Hands Dirty
  2. John Richards
  3. pp. 25-31
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  1. Sound Jewelry
  2. Takuya Yamauchi, Toru Iwatake
  3. pp. 33-37
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  1. A Cure for Musicians Afflicted with Baumol's Disease: Squeezing More Music out of Performance in the Age of Digital Reproduction
  2. Matthew C. Lawyer
  3. p. 39
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  1. Intimachines
  2. Michael Filimowicz
  3. p. 40
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  1. Stage, A Final Frontier
  2. Erwin Roebroeks
  3. p. 41
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  1. Antecedents of Digital Reproduction in Jazz Improvisation
  2. Scott J. Simon
  3. pp. 41-42
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  1. Travelers inside Pianos: Spurious Landscapes
  2. Brett Ian Balogh
  3. pp. 42-43
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  1. On Missing the Live of the Everyday Ambient
  2. Natalie Bell
  3. pp. 43-44
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  1. Collaborative Creation, Live Performance and Flock
  2. Jason Freeman
  3. pp. 44-45
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  1. Whale Music: Anatomy of an Interspecies Duet
  2. David Rothenberg
  3. pp. 47-53
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  1. Eavesdropping: Network Mediated Performance in Social Space
  2. Jack Stockholm
  3. pp. 55-58
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  1. Structure in the Dimension of Liveness and Mediation
  2. Jeffrey M. Morris
  3. pp. 59-61
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  1. The Hypothesis of Self-Organization for Musical Tuning Systems
  2. Jean-Julien Aucouturier, Eduardo R. Miranda
  3. pp. 63-69
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  1. The Biography of the Sample: Notes on the Hidden Contexts of Acousmatic Art
  2. Joe Milutis
  3. pp. 71-75
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  1. Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio
  2. Tim Hecker
  3. pp. 77-83
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  1. Tracklist and Credits
  2. Click Nilson
  3. pp. 86-87
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  1. Why Record?: Life in the Age of Digital Performance
  2. Click Nilson
  3. pp. 88-96
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  1. Terumi Narushima: He resonates five toes . . .
  2. Terumi Narushima
  3. p. 89
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  1. Theconcatenator: Placard XP edit
  2. Diemo Schwarz, Etienne Brunet
  3. pp. 89-90
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  1. Theconcatenator: Placard XP edit
  2. Diemo Schwarz, Etienne Brunet
  3. pp. 89-90
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  1. PowerBooks_unPlugged: Globophagia no 1.
  2. Jan-Kees van Kampen, Renate Wieser, Hannes Hölzl, Echo Ho, Alberto de Campo, Julian Rohrhuber
  3. p. 90
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  1. PowerBooks_unPlugged: Globophagia no 1.
  2. PowerBooks_unPlugged
  3. p. 90
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  1. Moscow Laptop Cyber Orchestra (CybOrk): Cyberjam0307
  2. Moscow Laptop Cyber Orchestra
  3. pp. 90-91
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  1. Moscow Laptop Cyber Orchestra (CybOrk): Cyberjam0307
  2. Moscow Laptop Cyber Orchestra
  3. pp. 90-91
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  1. Jose Ignacio Lopez Ramírez-Gastón (El Lazo Invisible): Madrid 5 No Espera a Nadie
  2. Jose Ignacio Lopez Ramírez-Gastón
  3. pp. 91-92
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  1. Jose Ignacio Lopez Ramírez-Gastón (El Lazo Invisible): Madrid 5 No Espera a Nadie
  2. Jose Ignacio Lopez Ramírez-Gastón
  3. pp. 91-92
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  1. slub: Phone_Mr_Biskov
  2. Dave Griffiths, Alex McLean, Adrian Ward
  3. p. 92
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  1. slub: Phone_Mr_Biskov
  2. Dave Griffiths, Alex McLean, Adrian Ward
  3. p. 92
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  1. Mazen Kerbaj: VRT
  2. Mazen Kerbaj
  3. pp. 92-93
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  1. Mazen Kerbaj: VRRRT
  2. Mazen Kerbaj
  3. pp. 92-93
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  1. Barnwave: Prancing
  2. Kevin Blechdom, Christopher Fleeger
  3. pp. 93-94
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  1. Barnwave: Prancing
  2. Kevin Blechdom, Christopher Fleeger
  3. pp. 93-94
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  1. Federico Schumacher: Print . . . ?
  2. Federico Schumacher
  3. p. 94
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  1. Shelly Knotts: Chordophonia
  2. Shelly Knotts
  3. p. 94
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  1. Federico Schumacher: Print . . . ?
  2. Pueblo Nuevo Netlabel
  3. p. 94
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  1. Shelly Knotts: Chordophonia
  2. Shelly Knotts
  3. p. 94
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  1. Kassen: Ill at ease at home?
  2. Kassen
  3. pp. 94-95
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  1. Kassen: Ill at ease at home?
  2. Kassen
  3. pp. 94-95
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  1. Yunasi: Kumbe Kumbe
  2. Yunasi
  3. p. 95
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  1. Yunasi: Kumbe Kumbe
  2. Yunasi
  3. p. 95
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  1. Thor Magnusson and Rúnar Magnússon: Giooia—a variation of SameSameButDifferent v.02—Iceland
  2. Thor Magnusson, Rúnar Magnússon
  3. pp. 95-96
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  1. Thor Magnusson and Rúnar Magnússon: Giooia—a variation of SameSameButDifferent v.02—Iceland
  2. Thor Magnusson, Rúnar Magnússon
  3. pp. 95-96
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  1. Rohan Drape: Piano & Sine Tones #15
  2. Rohan Drape
  3. p. 96
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  1. Wang Changcun: 2008020912
  2. Wang Changcun
  3. p. 96
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  1. Rohan Drape: Piano & Sine Tones #15
  2. Rohan Drape
  3. p. 96
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  1. Wang Changcun: 2008020912
  2. Wang Changcun
  3. p. 96
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  1. 2008 Author Index: Leonardo Volume 42 and Leonardo Music Journal Volume 18
  3. pp. 97-101
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  1. 2008 LEA Author Index: Leonardo Electronic Almanac Volume 16 (January-August 2008)
  3. pp. 101-102
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  1. Leonardo Network News
  3. pp. 104-105
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