In this Issue

Table of Contents

"Why Then All the Difficulties!": A Life of Kathi Meyer-Baer

David Josephson
pp. 227-267
DOI: https://doi.org/10.1353/not.0.0093
restricted access

Robert Schumann and Mary Potts

Peter Bloom
pp. 268-281
DOI: https://doi.org/10.1353/not.0.0098
restricted access

Prices of Music Monographs and Scores as Reflected in Notes, 2002–2007

Paula Hickner
pp. 282-289
DOI: https://doi.org/10.1353/not.0.0086
restricted access

Notes for Notes

Notes for Notes

pp. 290-293
DOI: https://doi.org/10.1353/not.0.0090
restricted access

Book Reviews

Antonio Vivaldi: Thematisch-systematisches Verzeichnis seiner Werke (RV) (review)

Eleanor Selfridge-Field
pp. 294-298
DOI: https://doi.org/10.1353/not.0.0091
restricted access

Music Research: A Handbook (review)

Gerry Szymanski
pp. 298-301
DOI: https://doi.org/10.1353/not.0.0096
restricted access

Haydn and the Performance of Rhetoric (review)

Joseph Orchard
pp. 301-303
DOI: https://doi.org/10.1353/not.0.0087
restricted access

Prometheus in Music: Representations of the Myth in the Romantic Era (review)

Richard Giarusso
pp. 304-306
DOI: https://doi.org/10.1353/not.0.0081
restricted access

After the Golden Age: Romantic Pianism and Modern Performance (review)

Jonathan Kregor
pp. 306-309
DOI: https://doi.org/10.1353/not.0.0097
restricted access

Berlioz: Scenes from the Life and Work (review)

Francesca Brittan
pp. 309-312
DOI: https://doi.org/10.1353/not.0.0100
restricted access

Richard Wagner's Zurich: The Muse of Place (review)

Christopher Hatch
pp. 312-314
DOI: https://doi.org/10.1353/not.0.0088
restricted access

Neo-Mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb (review)

Anatole Leikin
pp. 314-316
DOI: https://doi.org/10.1353/not.0.0102
restricted access

The Cambridge Companion to Electronic Music (review)

Martin Iddon
pp. 316-319
DOI: https://doi.org/10.1353/not.0.0092
restricted access

Vaughan Williams on Music (review)

Julian Onderdonk
pp. 319-321
DOI: https://doi.org/10.1353/not.0.0083
restricted access

Edmund Rubbra: Symphonist (review)

Byron Adams
pp. 321-323
DOI: https://doi.org/10.1353/not.0.0095
restricted access

Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer (review)

Mark Mazullo
pp. 323-326
DOI: https://doi.org/10.1353/not.0.0105
restricted access

Alexander Tcherepnin: The Saga of a Russian Emigré Composer (review)

Olga Haldey
pp. 326-328
DOI: https://doi.org/10.1353/not.0.0084
restricted access

Oh Boy! Masculinities and Popular Music (review)

Kiera Galway
pp. 328-330
DOI: https://doi.org/10.1353/not.0.0103
restricted access

Books Recently Published

Books Recently Published

Julia Graepel, Karen R. Little
pp. 331-360
DOI: https://doi.org/10.1353/not.0.0101
restricted access

Digital Media Reviews

RoJaRo (review)

Genevieve Williams
pp. 361-363
DOI: https://doi.org/10.1353/not.0.0104
restricted access

Sound Recordings Reviews

Popular Songs of the Great War: Background and Audio Resources

John Druesedow
pp. 364-378
DOI: https://doi.org/10.1353/not.0.0085
restricted access

Briefly Notes

Briefly Noted

Rick Anderson
pp. 378-384
DOI: https://doi.org/10.1353/not.0.0082
restricted access

Music Reviews

Messe in h-Moll, BWV 232, with Sanctus in D-Dur (1724), BWV 232III, and: Messe h-Moll, BWV 232, and: Messe h-Moll: für Singstimmen und Orchester, BWV 232 (review)

Daniel F. Boomhower
pp. 385-389
DOI: https://doi.org/10.1353/not.0.0089
restricted access

Music Received

Music Received

David Knapp
pp. 390-397
DOI: https://doi.org/10.1353/not.0.0094
restricted access

Music Publishers' Catalog

Music Publishers' Catalogs

George R. Hill
pp. 398-399
DOI: https://doi.org/10.1353/not.0.0099
restricted access