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In this Issue

Table of Contents

  1. "Why Then All the Difficulties!": A Life of Kathi Meyer-Baer
  2. David Josephson
  3. pp. 227-267
  4. DOI: https://doi.org/10.1353/not.0.0093
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  1. Robert Schumann and Mary Potts
  2. Peter Bloom
  3. pp. 268-281
  4. DOI: https://doi.org/10.1353/not.0.0098
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2002–2007
  2. Paula Hickner
  3. pp. 282-289
  4. DOI: https://doi.org/10.1353/not.0.0086
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  1. Notes for Notes
  2. pp. 290-293
  3. DOI: https://doi.org/10.1353/not.0.0090
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  1. Antonio Vivaldi: Thematisch-systematisches Verzeichnis seiner Werke (RV) (review)
  2. Eleanor Selfridge-Field
  3. pp. 294-298
  4. DOI: https://doi.org/10.1353/not.0.0091
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  1. Music Research: A Handbook (review)
  2. Gerry Szymanski
  3. pp. 298-301
  4. DOI: https://doi.org/10.1353/not.0.0096
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  1. Haydn and the Performance of Rhetoric (review)
  2. Joseph Orchard
  3. pp. 301-303
  4. DOI: https://doi.org/10.1353/not.0.0087
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  1. Prometheus in Music: Representations of the Myth in the Romantic Era (review)
  2. Richard Giarusso
  3. pp. 304-306
  4. DOI: https://doi.org/10.1353/not.0.0081
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  1. After the Golden Age: Romantic Pianism and Modern Performance (review)
  2. Jonathan Kregor
  3. pp. 306-309
  4. DOI: https://doi.org/10.1353/not.0.0097
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  1. Berlioz: Scenes from the Life and Work (review)
  2. Francesca Brittan
  3. pp. 309-312
  4. DOI: https://doi.org/10.1353/not.0.0100
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  1. Richard Wagner's Zurich: The Muse of Place (review)
  2. Christopher Hatch
  3. pp. 312-314
  4. DOI: https://doi.org/10.1353/not.0.0088
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  1. Neo-Mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb (review)
  2. Anatole Leikin
  3. pp. 314-316
  4. DOI: https://doi.org/10.1353/not.0.0102
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  1. The Cambridge Companion to Electronic Music (review)
  2. Martin Iddon
  3. pp. 316-319
  4. DOI: https://doi.org/10.1353/not.0.0092
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  1. Vaughan Williams on Music (review)
  2. Julian Onderdonk
  3. pp. 319-321
  4. DOI: https://doi.org/10.1353/not.0.0083
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  1. Edmund Rubbra: Symphonist (review)
  2. Byron Adams
  3. pp. 321-323
  4. DOI: https://doi.org/10.1353/not.0.0095
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  1. Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer (review)
  2. Mark Mazullo
  3. pp. 323-326
  4. DOI: https://doi.org/10.1353/not.0.0105
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  1. Alexander Tcherepnin: The Saga of a Russian Emigré Composer (review)
  2. Olga Haldey
  3. pp. 326-328
  4. DOI: https://doi.org/10.1353/not.0.0084
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  1. Oh Boy! Masculinities and Popular Music (review)
  2. Kiera Galway
  3. pp. 328-330
  4. DOI: https://doi.org/10.1353/not.0.0103
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 331-360
  4. DOI: https://doi.org/10.1353/not.0.0101
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  1. RoJaRo (review)
  2. Genevieve Williams
  3. pp. 361-363
  4. DOI: https://doi.org/10.1353/not.0.0104
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  1. Popular Songs of the Great War: Background and Audio Resources
  2. John Druesedow
  3. pp. 364-378
  4. DOI: https://doi.org/10.1353/not.0.0085
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 378-384
  4. DOI: https://doi.org/10.1353/not.0.0082
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  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 398-399
  4. DOI: https://doi.org/10.1353/not.0.0099
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  1. Music Received
  2. David Knapp
  3. pp. 390-397
  4. DOI: https://doi.org/10.1353/not.0.0094
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