In this Issue
Cultural Critique provides a forum for creative and provocative scholarship in the theoretical humanities and humanistic social sciences. Transnational in scope and transdisciplinary in orientation, the journal strives to spark and galvanize intellectual debates as well as to attract and foster critical investigations regarding any aspect of culture as it expresses itself in words, images, and sounds, across both time and space. The journal is especially keen to support scholarship that engages the ways in which cultural production, cultural practices, and cultural forms constitute and manifest the nexus between the aesthetic, the psychic, the economic, the political, and the ethical intended in their widest senses. While informed by the diverse traditions of historical materialism as well as by the numerous critiques of such traditions from various parts of the globe, the journal welcomes contributions based on a variety of theoretical-methodological paradigms.
published by
University of Minnesota Pressviewing issue
70, Fall 2008Table of Contents
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View Stepford U.S.A: Second-Wave Feminism, Domestic Labor, and the Representation of National Time
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Stepford U.S.A: Second-Wave Feminism, Domestic Labor, and the Representation of National Time
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View Philosophy of New Music, and: Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media (review)
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Philosophy of New Music, and: Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media (review)
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| ISSN | 1460-2458 |
|---|---|
| Print ISSN | 0882-4371 |
| Launched on MUSE | 2008-11-09 |
| Open Access | No |
Copyright
Copyright © 2008 the Regents of the University of Minnesota.
