In this Issue

Table of Contents

Editorial

Drake Stutesman
pp. 5-6
DOI: https://doi.org/10.1353/frm.0.0005
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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of The Maltese Falcon

Philippa Gates
pp. 7-26
DOI: https://doi.org/10.1353/frm.0.0008
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The Language of Real Life: Interview with Ousmane Sembène

Kwate Nee Owoo
pp. 27-29
DOI: https://doi.org/10.1353/frm.0.0011
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Art for Man's Sake: A Tribute to Ousmane Sembène

Samba Gadjigo
pp. 30-34
DOI: https://doi.org/10.1353/frm.0.0014
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A Full Integration with Film History: A Tribute to Ingmar Bergman

Astrid Söderbergh Widding
pp. 36-40
DOI: https://doi.org/10.1353/frm.0.0000
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Antonioni and the Place of Modernity: A Tribute

Laura Rascaroli, John David Rhodes
pp. 42-47
DOI: https://doi.org/10.1353/frm.0.0002
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Family Secrets: Alan Berliner's Nobody's Business and the (American) Jewish Autobiographical Film

Michael Renov
pp. 55-65
DOI: https://doi.org/10.1353/frm.0.0007
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Self-Despotism: Reality Television and the New Subject of Politics

Jérôme Bourdon
pp. 66-82
DOI: https://doi.org/10.1353/frm.0.0010
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The Postcolonial Function of Television's Virtual Space in '90s Israeli Cinema

Yael Munk
pp. 83-92
DOI: https://doi.org/10.1353/frm.0.0013
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Phantasmatic Losses: National Traumas, Masculinity, and Primal Scenes in Israeli Cinema—Walk on Water

Raz Yosef
pp. 93-105
DOI: https://doi.org/10.1353/frm.0.0016
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Absence as Presence, Presence as Parapraxis: On Some Problems of Representing "Jews" in the New German Cinema

Thomas Elsaesser
pp. 106-120
DOI: https://doi.org/10.1353/frm.0.0001
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Chronic Trauma, the Sound of Terror, and Current Israeli Cinema

Raya Morag
pp. 121-133
DOI: https://doi.org/10.1353/frm.0.0003
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History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film Kedma

Nurith Gertz, Gal Hermoni
pp. 134-143
DOI: https://doi.org/10.1353/frm.0.0006
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The Young, the Damned, and the Restless: Youth in Contemporary Mexican Cinema

Laura Podalsky
pp. 144-160
DOI: https://doi.org/10.1353/frm.0.0009
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Women at the Movies

Irina Leimbacher
pp. 161-164
DOI: https://doi.org/10.1353/frm.0.0012
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45th New York Film Festival

Drake Stutesman
pp. 165-167
DOI: https://doi.org/10.1353/frm.0.0015
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Introduction

Nitzan Ben Shaul
pp. 48-54
DOI: https://doi.org/10.1353/frm.0.0004
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