1. Glocalized Theatrum Mundi: The Case of Comédie des comédiens
  2. Daphna Ben-Shaul
  3. pp. 165-187
  4. DOI: 10.1353/mdr.0.0050
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  1. Cries of Fire: Psychotherapy in Contemporary British and Irish Drama
  2. Ariel Watson
  3. pp. 188-210
  4. DOI: 10.1353/mdr.0.0039
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  1. Bringing out the Acid: Noël Coward, Harold Pinter, Ivy Compton-Burnett and the Uses of Camp
  2. Sos Eltis
  3. pp. 211-233
  4. DOI: 10.1353/mdr.0.0041
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  1. Narratives of Success, Narratives of Failure: The Creation and Collapse of Sistren's "Aesthetic Space"
  2. Karina Smith
  3. pp. 234-258
  4. DOI: 10.1353/mdr.0.0043
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  1. French Tragic Farce in an Age of Interpellation: Michel Azama's Croisades and Hervé Blutsch's Anatole Felde
  2. Scott D. Taylor
  3. pp. 274-288
  4. DOI: 10.1353/mdr.0.0047
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  1. Performing Science and the Virtual (review)
  2. Amy Strahler Holzapfel
  3. pp. 293-295
  4. DOI: 10.1353/mdr.0.0038
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  1. Ritual and Event: Interdisciplinary Perspectives (review)
  2. Laura Levin
  3. pp. 295-298
  4. DOI: 10.1353/mdr.0.0040
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  1. Electric Salome: Loie Fuller's Performance of Modernism (review)
  2. Libby Worth
  3. pp. 298-300
  4. DOI: 10.1353/mdr.0.0042
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  1. Bernard Shaw: A Life (review)
  2. Matthew Wilson Smith
  3. pp. 300-302
  4. DOI: 10.1353/mdr.0.0044
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  1. A Companion to Modern British and Irish Drama 1880-2005 (review)
  2. W.B. Worthen
  3. pp. 303-305
  4. DOI: 10.1353/mdr.0.0046
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  1. Seán O'Casey: Writer at Work. A Biography (review)
  2. Susan Cannon Harris
  3. pp. 305-307
  4. DOI: 10.1353/mdr.0.0048
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  1. Contributors
  2. pp. 308-309
  3. DOI: 10.1353/mdr.0.0051
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