1. "The Pulley": Rundles, Ropes, and Ladders in John Wilkins, Ramon Lull, and George Herbert
  2. Roberta Albrecht
  3. pp. 1-18
  4. DOI: 10.1353/ghj.0.0000
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  1. "Generous Ambiguity" Revisited: A Herbert for All Seasons
  2. Daniel W. Doerksen
  3. pp. 19-41
  4. DOI: 10.1353/ghj.0.0002
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  1. "Resorting to Sermons": The Place of Preaching in William Baspoole's The Pilgime and George Herbert's The Country Parson
  2. Kathryn Walls
  3. pp. 42-58
  4. DOI: 10.1353/ghj.0.0003
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  1. George Herbert's Distemper: An Honest Shepherd's Remedy for Melancholy
  2. Anne-Marie Miller Blaise
  3. pp. 59-82
  4. DOI: 10.1353/ghj.0.0004
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  1. "Shepherds are Honest People": Herbert and Pastoral
  2. Margaret Turnbull
  3. pp. 83-95
  4. DOI: 10.1353/ghj.0.0005
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  1. Herbert and Monteverdi: Sacred Echo and the Italian Baroque
  2. Jonathan Nauman
  3. pp. 96-108
  4. DOI: 10.1353/ghj.0.0006
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  1. Holiness as a Psychological State in Herbert's Briefe Notes on Valdesso's Considerations
  2. Sean McDowell
  3. pp. 109-124
  4. DOI: 10.1353/ghj.0.0007
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  1. Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery (review)
  2. Jonathan F.S. Post
  3. pp. 125-132
  4. DOI: 10.1353/ghj.0.0001
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