In this Issue

Table of Contents

Next day, same place: After Godot in New Orleans

Paul Chan
pp. 2-3
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Correction

p. 3
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Where Do New Plays Come From?

Rick DesRochers
pp. 7-12
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Announcement

p. 13
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Lost in Translation?

Hans-Thies Lehmann, Karen Jürs-Munby, Elinor Fuchs
pp. 13-20
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Friend Me if You Facebook: Generation Y and Performative Surveillance

E.J. Westlake
pp. 21-40
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Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia’s Cultural Villages

Craig T. Latrell
pp. 41-63
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Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan

Nancy Guy
pp. 64-81
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Collective Improvisation: The Practice and Vision of Ingemar Lindh

Frank Camilleri
pp. 82-97
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Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

Gitta Honegger
pp. 98-117
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Politics and Identity in Maltese Theatre: Adaptation or Innovation?

Vicki Ann Cremona
pp. 118-144
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Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling

Evelyn Birge Vitz
pp. 145-173
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Tiresian Journeys

Petra Kuppers
pp. 174-182
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Beauty and the Street: 72 Hours in Union Square, NYC

Lián Amaris
pp. 182-192
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A Note from the “Books” Section Editor

Branislav Jakovljevic
p. 193
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Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering (review)

Michelle Kuo
pp. 194-196
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Uvod u studije performansa (review)

Lada Čale Feldman
pp. 196-197
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A Performance Cosmology: Testimony from the Future, Evidence from the Past (review)

Patrick Anderson
pp. 198-200
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Performing Glam Rock: Gender and Theatricality in Popular Music (review)

Wade Hollingshaus
pp. 201-202
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TDR Volume 52 Index

pp. 203-209
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