1. Next day, same place: After Godot in New Orleans
  2. Paul Chan
  3. pp. 2-3
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  1. Correction
  2. p. 3
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  1. Where Do New Plays Come From?
  2. Rick DesRochers
  3. pp. 7-12
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  1. Announcement
  2. p. 13
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  1. Lost in Translation?
  2. Hans-Thies Lehmann, Karen Jürs-Munby, Elinor Fuchs
  3. pp. 13-20
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  1. Friend Me if You Facebook: Generation Y and Performative Surveillance
  2. E.J. Westlake
  3. pp. 21-40
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  1. Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia’s Cultural Villages
  2. Craig T. Latrell
  3. pp. 41-63
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  1. Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan
  2. Nancy Guy
  3. pp. 64-81
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  1. Collective Improvisation: The Practice and Vision of Ingemar Lindh
  2. Frank Camilleri
  3. pp. 82-97
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  1. Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble
  2. Gitta Honegger
  3. pp. 98-117
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  1. Politics and Identity in Maltese Theatre: Adaptation or Innovation?
  2. Vicki Ann Cremona
  3. pp. 118-144
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  1. Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling
  2. Evelyn Birge Vitz
  3. pp. 145-173
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  1. Tiresian Journeys
  2. Petra Kuppers
  3. pp. 174-182
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  1. Beauty and the Street: 72 Hours in Union Square, NYC
  2. Lián Amaris
  3. pp. 182-192
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  1. A Note from the “Books” Section Editor
  2. Branislav Jakovljevic
  3. p. 193
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  1. Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering (review)
  2. Michelle Kuo
  3. pp. 194-196
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  1. Uvod u studije performansa (review)
  2. Lada Čale Feldman
  3. pp. 196-197
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  1. A Performance Cosmology: Testimony from the Future, Evidence from the Past (review)
  2. Patrick Anderson
  3. pp. 198-200
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  1. Performing Glam Rock: Gender and Theatricality in Popular Music (review)
  2. Wade Hollingshaus
  3. pp. 201-202
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  1. TDR Volume 52 Index
  2. pp. 203-209
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