In this Issue

Table of Contents

Artists and Scientists: Open and Hidden Connections

Giorgio Careri
p. 428
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From the Kinesphere to the Kinesfield: Three Choreographic Interactive Artworks

Gretchen Schiller
pp. 431-437
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The Return of Images: Photographic Inquiries into the Interaction of Light

Edgar Lissel
pp. 438-445
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Color Plates

pp. 447-453
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The Media-Art Exhibition TenYearsAfter_v4.0_OuterSpace

Soo-jin Lee, Kwang-yun Wohn
pp. 454-459
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Landscapes of Feeling, Arenas of Action: Information Visualization as Art Practice

Tom Corby
pp. 460-467
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Artistic Research on Life Forms: Exploring the Intersections of Science, Art and Life in the Context of Globalization

Mojca Puncer
pp. 468-477
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When Is Information Visualization Art?: Determining the Critical Criteria

Andres Ramirez Gaviria
pp. 479-482
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Nanotech, Blur and Tragedy in Recent Artworks by Gerhard Richter

Kristian Hvidtfelt Nielsen
pp. 484-492
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Reconsidering Pictorial Representation by Reconsidering Visual Experience

Johan Veldeman
pp. 493-497
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Resurrecting Leonardo's Great Lady: A Collaboration

Marilène Oliver, Francis Wells
pp. 500-505
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A Bird in the Microcosm: An Environment of Found Objects Constructed to Create Arbitrary Preferences in Starlings

Meredith Root-Bernstein
pp. 506-507
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From the Leonardo Archive

Lowry Burgess
p. 510
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Sky, Scale and Technology in Art

Otto Piene, Robert Russett
pp. 511-518
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The Sixth Side of the Pentagon, and: The Embassy (review)

Michael R. Mosher
pp. 519-520
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When Walls Become Doorways: Creativity and the Transforming Illness (review)

Rob Harle
pp. 520-521
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Circles: Science, Sense and Symbol (review)

Amy Ione
pp. 521-522
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A Culture of Improvement: Technology and the Western Millennium (review)

Amy Ione
pp. 522-524
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Shimmering Screens: Making Media in an Aboriginal Community (review)

Jonathan Zilberg
pp. 524-525
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Traces of Light: Absence and Presence in the Work of Loïe Fuller (review)

Martha Blassnigg
pp. 525-527
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The Cry at Zero (review)

Michael R. (Mike) Mosher
pp. 527-528
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From Agit-Prop to Free Space: The Architecture of Cedric Price (review)

Boris Jardine
pp. 528-529
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Mechanisms: New Media and the Forensic Imagination (review)

Jan Baetens
pp. 529-530
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Colin St John Wilson: Buildings and Projects (review)

Boris Jardine
pp. 530-531
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YLEM Journal: Artists Using Science and Technology (review)

Rob Harle
p. 531
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Full Color Video

Simon Payne
pp. 534-535
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Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art?

Jurij Selan
pp. 536-537
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World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality

Evelin Stermitz
pp. 538-539
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Leonardo Network News

pp. 540-541
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The Other Side of Digital Art

Harry Rand
pp. 543-547
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