1. Artists and Scientists: Open and Hidden Connections
  2. Giorgio Careri
  3. p. 428
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  1. From the Kinesphere to the Kinesfield: Three Choreographic Interactive Artworks
  2. Gretchen Schiller
  3. pp. 431-437
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  1. The Return of Images: Photographic Inquiries into the Interaction of Light
  2. Edgar Lissel
  3. pp. 438-445
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  1. Color Plates
  2. pp. 447-453
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  1. The Media-Art Exhibition TenYearsAfter_v4.0_OuterSpace
  2. Soo-jin Lee, Kwang-yun Wohn
  3. pp. 454-459
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  1. Landscapes of Feeling, Arenas of Action: Information Visualization as Art Practice
  2. Tom Corby
  3. pp. 460-467
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  1. Artistic Research on Life Forms: Exploring the Intersections of Science, Art and Life in the Context of Globalization
  2. Mojca Puncer
  3. pp. 468-477
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  1. When Is Information Visualization Art?: Determining the Critical Criteria
  2. Andres Ramirez Gaviria
  3. pp. 479-482
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  1. Nanotech, Blur and Tragedy in Recent Artworks by Gerhard Richter
  2. Kristian Hvidtfelt Nielsen
  3. pp. 484-492
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  1. Reconsidering Pictorial Representation by Reconsidering Visual Experience
  2. Johan Veldeman
  3. pp. 493-497
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  1. Resurrecting Leonardo's Great Lady: A Collaboration
  2. Marilène Oliver, Francis Wells
  3. pp. 500-505
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  1. A Bird in the Microcosm: An Environment of Found Objects Constructed to Create Arbitrary Preferences in Starlings
  2. Meredith Root-Bernstein
  3. pp. 506-507
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  1. From the Leonardo Archive
  2. Lowry Burgess
  3. p. 510
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  1. Sky, Scale and Technology in Art
  2. Otto Piene, Robert Russett
  3. pp. 511-518
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  1. The Sixth Side of the Pentagon, and: The Embassy (review)
  2. Michael R. Mosher
  3. pp. 519-520
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  1. When Walls Become Doorways: Creativity and the Transforming Illness (review)
  2. Rob Harle
  3. pp. 520-521
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  1. Circles: Science, Sense and Symbol (review)
  2. Amy Ione
  3. pp. 521-522
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  1. A Culture of Improvement: Technology and the Western Millennium (review)
  2. Amy Ione
  3. pp. 522-524
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  1. Shimmering Screens: Making Media in an Aboriginal Community (review)
  2. Jonathan Zilberg
  3. pp. 524-525
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  1. Traces of Light: Absence and Presence in the Work of Loïe Fuller (review)
  2. Martha Blassnigg
  3. pp. 525-527
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  1. The Cry at Zero (review)
  2. Michael R. (Mike) Mosher
  3. pp. 527-528
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  1. From Agit-Prop to Free Space: The Architecture of Cedric Price (review)
  2. Boris Jardine
  3. pp. 528-529
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  1. Mechanisms: New Media and the Forensic Imagination (review)
  2. Jan Baetens
  3. pp. 529-530
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  1. Colin St John Wilson: Buildings and Projects (review)
  2. Boris Jardine
  3. pp. 530-531
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  1. YLEM Journal: Artists Using Science and Technology (review)
  2. Rob Harle
  3. p. 531
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  1. Full Color Video
  2. Simon Payne
  3. pp. 534-535
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  1. Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art?
  2. Jurij Selan
  3. pp. 536-537
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  1. World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality
  2. Evelin Stermitz
  3. pp. 538-539
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  1. Leonardo Network News
  2. pp. 540-541
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  1. The Other Side of Digital Art
  2. Harry Rand
  3. pp. 543-547
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