1. A Portrait of the Artist as a Young Man and the “Individuating Rhythm” of Modernity
  2. Tobias Boes
  3. pp. 767-785
  4. DOI: 10.1353/elh.0.0028
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  1. Allegorical Agency and the Sins of Angels
  2. Andrew Escobedo
  3. pp. 787-818
  4. DOI: 10.1353/elh.0.0025
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  1. Impossible Love and Commodity Culture in Emily Brontë’s Wuthering Heights
  2. Daniela Garofalo
  3. pp. 819-840
  4. DOI: 10.1353/elh.0.0019
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  1. “And The Lord’s Power Was Over All”: Calvinist Anxiety, Sacred Confidence, and George Fox’s Journal
  2. Hilary Hinds
  3. pp. 841-870
  4. DOI: 10.1353/elh.0.0027
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  1. Darwin, Natural Theology, and Slavery: A Justification of Browning’s Caliban
  2. Jonathan Loesberg
  3. pp. 871-897
  4. DOI: 10.1353/elh.0.0023
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  1. The Primitive Mind of Silas Marner
  2. Anna Neill
  3. pp. 939-962
  4. DOI: 10.1353/elh.0.0029
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  1. The Shop of Curiosities: Henry James, “the Jew,” and the Production of Value
  2. Sharon B. Oster
  3. pp. 963-992
  4. DOI: 10.1353/elh.0.0026
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  1. Trashing Keats
  2. Christopher Rovee
  3. pp. 993-1022
  4. DOI: 10.1353/elh.0.0022
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  1. Specters of Horatio
  2. Christopher Warley
  3. pp. 1023-1050
  4. DOI: 10.1353/elh.0.0021
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  1. Contents
  2. pp. 1-3
  3. DOI: 10.1353/elh.0.0020
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