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Table of Contents

  1. Nazi Modern
  2. Peter Fritzsche
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/mod.1996.0004
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  1. Working Through Working
  2. Werner Hamacher, Matthew T. Hartman
  3. pp. 23-56
  4. DOI: https://doi.org/10.1353/mod.1996.0005
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  1. Blitzkrieg: "Gott Stinnes" or the Depoliticization of the Sublime
  2. Karlheinz Barck
  3. pp. 57-70
  4. DOI: https://doi.org/10.1353/mod.1996.0001
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  1. Male Images and Female Desire
  2. Hillary Hope Herzog, Todd Herzog, Gudrun Brockhaus
  3. pp. 71-86
  4. DOI: https://doi.org/10.1353/mod.1996.0002
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  1. Les Retournements Petitjeaniens: The Return of Armand Petitjean
  2. Claudine Frank-Elster
  3. pp. 87-116
  4. DOI: https://doi.org/10.1353/mod.1996.0003
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  1. The Celine Effect: A 1992 Survey of Contemporary American Writers
  2. Alice Yaeger Kaplan
  3. pp. 117-136
  4. DOI: https://doi.org/10.1353/mod.1996.0006
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  1. Foregone Conclusions: Against Apocalyptic History (review)
  2. Françoise Meltzer
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/mod.1996.0008
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  1. Word Traces: Readings of Paul Celan (review)
  2. Volker Kaiser
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/mod.1996.0010
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  1. The Weimar Republic Sourcebook (review)
  2. Katie Trumpener
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/mod.1996.0011
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  1. A History of the World in the Twentieth Century (review)
  2. Amnon G. Finkelstein
  3. pp. 144-147
  4. DOI: https://doi.org/10.1353/mod.1996.0015
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  1. The Making of Terrorism (review)
  2. Beverly Allen
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/mod.1996.0017
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  1. Properties of Writing: Ideological Discourse in Modern Italian Fiction, and: Feminine Feminists: Cultural Practices in Italy (review)
  2. Ellen Victoria Nerenberg
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/mod.1996.0013
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  1. Fighting Forces, Writing Women: Identity and Ideology in the First World War (review)
  2. Jean Bethke Elshtain
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/mod.1996.0018
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  1. Representing War: Form and Ideology in First World War Narratives (review)
  2. Bernd-Rüdiger Hüppauf
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/mod.1996.0012
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  1. Wyndham Lewis Annual (review)
  2. Paul Peppis
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/mod.1996.0014
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  1. Subjects Without Selves: Transitional Texts in Modern Fiction (review)
  2. Michael H. Levenson
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/mod.1996.0021
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  1. James Joyce, Ulysses (review)
  2. David Kadlec
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/mod.1996.0023
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  1. The Black Columbiad: Defining Moments in African American Literature and Culture (review)
  2. David Nicholls
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/mod.1996.0026
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  1. Modernism and Revolution: Russian Literature in Transition (review)
  2. John E. Bowlt
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/mod.1996.0016
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  1. Early Modernism: Literature, Music and Painting in Europe, 1900- 1916 (review)
  2. Laurie Teal
  3. p. 164
  4. DOI: https://doi.org/10.1353/mod.1996.0009
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  1. Organic Memory: History and the Body in the Late Nineteenth and Early Twentieth Centuries (review)
  2. John Limon
  3. pp. 164-166
  4. DOI: https://doi.org/10.1353/mod.1996.0020
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  1. From Freud's Consulting Room: The Unconscious in a Scientific Age (review)
  2. John E. Gedo
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/mod.1996.0022
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  1. The Seeds of Time (review)
  2. David Powelstock
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/mod.1996.0024
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  1. Making Theory/Constructing Art: On the Authority of the Avant- Garde (review)
  2. Charles Altieri
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/mod.1996.0019
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  1. Placing Movies: The Practice of Film Criticism, and: Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography (review)
  2. Pamela Robertson Wojcik
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/mod.1996.0025
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  1. Recent Books of Interest
  3. p. 1996
  4. DOI: https://doi.org/10.1353/mod.1996.0007
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