1. Index to Volume 29
  3. pp. 1-2
  4. DOI: 10.1353/hjr.0.0014
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  1. Henry James, in Short
  2. Matthew Rubery
  3. pp. 222-228
  4. DOI: 10.1353/hjr.0.0016
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  1. Pym, Poe, and “the golden bowl”
  2. Paul Grimstad
  3. pp. 229-235
  4. DOI: 10.1353/hjr.0.0018
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  1. Knickerbocker Modernism in “Crapy Cornelia”
  2. Wendy Graham
  3. pp. 236-244
  4. DOI: 10.1353/hjr.0.0020
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  1. Henry James in a Victorian Crowd: “The Birthplace” in Context
  2. Andrea Zemgulys
  3. pp. 245-256
  4. DOI: 10.1353/hjr.0.0022
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  1. Evaluating “Value”: Art and the Exploration of Aesthetic, Economic, and Cultural Value in The Outcry
  2. Jonathan Readey
  3. pp. 257-264
  4. DOI: 10.1353/hjr.0.0024
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  1. “Disengaged”: Bolting and Remarriage in Henry James’s Short Fiction
  2. Isobel Waters
  3. pp. 265-274
  4. DOI: 10.1353/hjr.0.0012
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  1. A Momentary Watcher, or the Imperiled Reader of “A Round of Visits”
  2. Rita Charon
  3. pp. 275-286
  4. DOI: 10.1353/hjr.0.0015
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  1. Through Other Continents: American Literature Across Deep Time (review)
  2. Susan Manning
  3. pp. 287-291
  4. DOI: 10.1353/hjr.0.0019
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  1. American Theorists of the Novel: Henry James, Lionel Trilling, Wayne C. Booth (review)
  2. Sergio Perosa
  3. pp. 291-294
  4. DOI: 10.1353/hjr.0.0021
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  1. Writing the Self: Henry James and America (review)
  2. Christopher Stuart
  3. pp. 294-297
  4. DOI: 10.1353/hjr.0.0023
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  1. Acting Beautifully: Henry James and the Ethical Aesthetic (review)
  2. Kiyoon Jang
  3. pp. 297-301
  4. DOI: 10.1353/hjr.0.0017
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  1. The Reception of Henry James in Europe (review)
  2. Greg Zacharias
  3. pp. 301-304
  4. DOI: 10.1353/hjr.0.0025
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  1. Introduction
  2. Susan M. Griffin
  3. pp. 219-221
  4. DOI: 10.1353/hjr.0.0013
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