1. Staging the Nation: Race, Religion, and History in Mexican Opera of the 1940s
  2. Leonora Saavedra
  3. pp. 1-21
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  1. Quakers and Cowboys: Italian Mythologies and Stereotypes of Americans from Piccinni to Puccini
  2. Pierpaolo Polzonetti
  3. pp. 22-38
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  1. To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America
  2. Katherine K. Preston
  3. pp. 39-65
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  1. The Great American Opera: Klinghoffer, Streetcar, and the Exception
  2. Lawrence Kramer
  3. pp. 66-80
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  1. The Voice of American Opera
  2. Anne Midgette
  3. pp. 81-95
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Auditions

  1. Auditions
  2. David J. Levin
  3. p. 96
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  1. Mussorgsky in the Extreme
  2. Gaither Stewart
  3. pp. 96-102
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Notes from (the Road to) the Stage

  1. Notes from (the Road to) the Stage
  2. Katherine K. Preston
  3. pp. 103-119
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Reviews

Scholarship

  1. Operatic Migrations: Transforming Works and Crossing Boundaries (review)
  2. Christopher Morris
  3. pp. 120-126
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  1. Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938 (review)
  2. Gary B. Cohen
  3. pp. 126-130
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  1. Music and Sexuality in Britten: Selected Essays (review)
  2. Heather Wiebe
  3. pp. 130-136
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Performance

  1. Simon Boccanegra (review)
  2. Emanuele Senici
  3. pp. 137-143
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Books Received

  1. Books Received
  2. p. 144
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