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Table of Contents

  1. Self and Other
  2. p. 2
  3. DOI: https://doi.org/10.1353/chq.0.0919
  4. restricted access
  1. "Different Moments in the One Cycle": Alchemical and Blakean Symbolism in Michael Bedard's Redwork
  2. Raymond E. Jones
  3. pp. 3-8
  4. DOI: https://doi.org/10.1353/chq.0.0951
  5. restricted access
  1. Choose Your Own Agenda: Margaret Mahy's Memory
  2. Heather Scutter
  3. pp. 9-14
  4. DOI: https://doi.org/10.1353/chq.0.0983
  5. restricted access
  1. Preempting the Patriarch: The Problem of Pa's Stories in Little House in the Big Woods
  2. Ann Romines
  3. pp. 15-18
  4. DOI: https://doi.org/10.1353/chq.0.1017
  5. restricted access
  1. Unknowns Made Known: Nancy Drew's Enigmatic Evasion
  2. Eloise Knowlton
  3. pp. 19-22
  4. DOI: https://doi.org/10.1353/chq.0.1051
  5. restricted access
  1. Romancing the Plot: The Real Beast of Disney's Beauty and the Beast
  2. June Cummins
  3. pp. 22-28
  4. DOI: https://doi.org/10.1353/chq.0.0872
  5. restricted access
  1. Crossing Over: Authors Who Write Both Children's and Adults' Fiction
  2. David Galef
  3. pp. 29-35
  4. DOI: https://doi.org/10.1353/chq.0.0905
  5. restricted access
  1. Fetching the Jingle Along: Mark Twain's Slovenly Peter
  2. Susanna Ashton, Amy Jean Petersen
  3. pp. 36-41
  4. DOI: https://doi.org/10.1353/chq.0.0938
  5. restricted access
  1. Another Kick at La/can: "I Am a Picture"
  2. Roderick McGillis
  3. pp. 42-46
  4. DOI: https://doi.org/10.1353/chq.0.0970
  5. restricted access
  1. Closing the Hermeneutic Circle on George MacDonald: For the Child or the Childlike?
  2. Leona Fisher
  3. pp. 47-48
  4. DOI: https://doi.org/10.1353/chq.0.1004
  5. restricted access
  1. Bulletin Board
  2. p. 49
  3. DOI: https://doi.org/10.1353/chq.0.1741
  4. restricted access