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In this Issue

Table of Contents

  1. Nigel Fortune Retires After 28 Years as Editor of Music & Letters
  2. Edward Olleson
  3. pp. 163-164
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  1. Richard Dering’s Few-Voice ‘Concertato’ Motets
  2. Jonathan P. Wainwright
  3. pp. 165-194
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  1. Beethoven Instrumentalized: Richard Wagner’s Self-Marketing and Media Image
  2. Nicholas Vazsonyi
  3. pp. 195-211
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  1. Who is the Father?: Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England
  2. Suzanne Cole
  3. pp. 212-226
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  1. Loyalty and Longevity in Audience Listening: Investigating Experiences of attendance at a Chamber Music Festival
  2. Stephanie E. Pitts, Christopher P. Spencer
  3. pp. 227-238
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  1. Music in Medieval Europe: Studies in Honour of Bryan Gillingham (review)
  2. Emma Hornby
  3. pp. 239-242
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  1. The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine (review)
  2. Emma Hornby
  3. pp. 242-244
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  1. William Byrd and his Contemporaries: Essays and a Monograph (review)
  2. Oliver Neighbour
  3. pp. 244-248
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  1. J. S. Bach’s Concerted Ensemble Music: The Ouverture (review)
  2. Michael Talbot
  3. pp. 248-252
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  1. Explaining Tonality: Schenkerian Theory and Beyond, and: Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter (review)
  2. William Drabkin
  3. pp. 252-255
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  1. Society, Culture and Opera in Florence, 1814–1830: Dilettantes in an ‘Earthly Paradise’ (review)
  2. Julian Budden
  3. pp. 255-256
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  1. Franz Liszt and his World (review)
  2. Shay Loya
  3. pp. 256-260
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  1. Schumanns Albumblätter (review)
  2. Laura Tunbridge
  3. pp. 260-261
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  1. Vincent d’Indy et son temps (review)
  2. Brian Hart
  3. pp. 261-266
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  1. French Music since Berlioz (review)
  2. Brian Hart
  3. pp. 266-270
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  1. Enrique Granados: Poet of the Piano (review)
  2. Michael Christoforidis
  3. pp. 270-271
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  1. Debussy and the Fragment (review)
  2. David J. Code
  3. pp. 272-274
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  1. Theodor W. Adorno and Alban Berg: Correspondence 1925–1935 (review)
  2. Nick Chadwick
  3. pp. 274-279
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  1. Sergey Prokofiev: Diaries 1907–1914. Prodigious Youth (review)
  2. Pauline Fairclough
  3. pp. 279-282
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  1. Lou Harrison (review)
  2. Peter Dickinson
  3. pp. 282-283
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  1. Remembering the Future (review)
  2. Ben Earle
  3. pp. 283-287
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  1. Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (review)
  2. Christopher Mark
  3. pp. 287-290
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  1. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (review)
  2. Geoffrey Baker
  3. pp. 290-292
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  1. Empire of Dirt: The Aesthetics and Rituals of British Indie Music (review)
  2. Allan F. Moore
  3. pp. 292-293
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  1. Sound Ideas: Music, Machines, and Experience (review)
  2. Anthony Gritten
  3. pp. 293-298
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  1. Livre de melanges 1585, and: Sacrae Cantiones 1582, and: Chansons, and: Missa pro defunctis (review)
  2. Richard Freedman
  3. pp. 299-302
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  1. Sonate für Klavier op. 1 (review)
  2. Nick Chadwick
  3. pp. 302-303
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  1. ‘Music & Letters’ Awards
  3. p. 305
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  1. Authors of Articles in This Issue
  3. p. 305
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  1. Books Received
  3. pp. 306-309
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