In this Issue

Table of Contents

Amerikamüde/Europamüde: The Very Idea of American Opera

Lydia Goehr
pp. 398-432
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“La música de dos orbes”: A Context for the First Opera of the Americas

Louise K. Stein
pp. 433-458
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Ginastera’s Bomarzo in the United States and the Impotence of the Pan-American Dream

Carol A. Hess
pp. 459-476
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The Industrial Evolution of the Arts: Chicago’s Auditorium Building (1889–) as Cultural Machine

Mark Clague
pp. 477-511
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Brecht on Opera and/in the Americas

Joy H. Calico
pp. 512-520
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Writing American Opera: William Bolcom on Music, Language, and Theater

Daniel Herwitz
pp. 521-533
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Opera for the Media Age: Composer Robert Ashley on Television Opera

Bianca Michaels
pp. 534-537
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Interview with Robert Ashley

Bianca Michaels
pp. 537-545
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Three Faces of Opera Study: Reception, Money, Performing Practice

Herbert Lindenberger
pp. 546-556
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Recognition in Mozart’s Operas, and: Mozart and His Operas (review)

Bruce Redford
pp. 557-563
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Marrying Figaro: A Review of Three Productions on DVD

Peter Brooks
pp. 564-570
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Wolfgang Amadeus Mozart: La clemenza di Tito

Enrique Sacau
pp. 571-574
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Opera in the Americas/American Opera: An Introduction

Daniel Herwitz
pp. 395-397
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Books Received

p. 575
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