1. Amerikamüde/Europamüde: The Very Idea of American Opera
  2. Lydia Goehr
  3. pp. 398-432
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  1. La música de dos orbes”: A Context for the First Opera of the Americas
  2. Louise K. Stein
  3. pp. 433-458
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  1. Ginastera’s Bomarzo in the United States and the Impotence of the Pan-American Dream
  2. Carol A. Hess
  3. pp. 459-476
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  1. The Industrial Evolution of the Arts: Chicago’s Auditorium Building (1889–) as Cultural Machine
  2. Mark Clague
  3. pp. 477-511
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  1. Brecht on Opera and/in the Americas
  2. Joy H. Calico
  3. pp. 512-520
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  1. Writing American Opera: William Bolcom on Music, Language, and Theater
  2. Daniel Herwitz
  3. pp. 521-533
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  1. Opera for the Media Age: Composer Robert Ashley on Television Opera
  2. Bianca Michaels
  3. pp. 534-537
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  1. Interview with Robert Ashley
  2. Bianca Michaels
  3. pp. 537-545
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  1. Three Faces of Opera Study: Reception, Money, Performing Practice
  2. Herbert Lindenberger
  3. pp. 546-556
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  1. Recognition in Mozart’s Operas, and: Mozart and His Operas (review)
  2. Bruce Redford
  3. pp. 557-563
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  1. Marrying Figaro: A Review of Three Productions on DVD
  2. Peter Brooks
  3. pp. 564-570
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  1. Wolfgang Amadeus Mozart: La clemenza di Tito
  2. Enrique Sacau
  3. pp. 571-574
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  1. Opera in the Americas/American Opera: An Introduction
  2. Daniel Herwitz
  3. pp. 395-397
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  1. Books Received
  2. p. 575
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