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In this Issue

Table of Contents

  1. Sound, Sense, and Structure in Christina Rossetti's Sing-Song
  2. Sharon Smulders
  3. pp. 3-26
  4. DOI: https://doi.org/10.1353/chl.0.0141
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  1. "We Don't Mind the Bumps": Reforming the Child's Body in Louisa May Alcott's "Cupid and Chow-chow"
  2. Angela M. Estes, Kathleen Margaret Lant
  3. pp. 27-42
  4. DOI: https://doi.org/10.1353/chl.0.0245
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  1. The Inner Family of The Wind in the Willows
  2. Bonnie Gaarden
  3. pp. 43-56
  4. DOI: https://doi.org/10.1353/chl.0.0349
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  1. Response to "The Inner Family"
  2. Cynthia Marshall
  3. pp. 56-57
  4. DOI: https://doi.org/10.1353/chl.0.0689
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  1. Response to Cynthia Marshall
  2. Bonnie Gaarden
  3. p. 57
  4. DOI: https://doi.org/10.1353/chl.0.0690
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  1. Bodies and Pleasures in The Wind in the Willows
  2. Cynthia Marshall
  3. pp. 58-68
  4. DOI: https://doi.org/10.1353/chl.0.0454
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  1. Response to "Bodies and Pleasures"
  2. Bonnie Gaarden
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/chl.0.0691
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  1. Clothed in Nature or Nature Clothed: Dress as Metaphor in the Illustrations of Beatrix Potter and C. M. Barker
  2. Carole Scott
  3. pp. 70-89
  4. DOI: https://doi.org/10.1353/chl.0.0559
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  1. Heroic Ideology and the Children's Beowulf
  2. Anna Smol
  3. pp. 90-100
  4. DOI: https://doi.org/10.1353/chl.0.0664
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  1. The Secret Garden "Misread": The Broadway Musical as Creative Interpretation
  2. Phyllis Bixler
  3. pp. 101-123
  4. DOI: https://doi.org/10.1353/chl.0.0100
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  1. Timescape at Hemingford Grey: Lucy Boston's Centenary
  2. Peter Hollindale
  3. pp. 139-148
  4. DOI: https://doi.org/10.1353/chl.0.0308
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  1. Cat-Quest: A Symbolic Animal in Margaret Wise Brown
  2. Suzanne Rahn
  3. pp. 149-161
  4. DOI: https://doi.org/10.1353/chl.0.0412
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  1. Margaret Wise Brown: Awakened by You Know Who
  2. Angela M. Estes
  3. pp. 162-170
  4. DOI: https://doi.org/10.1353/chl.0.0517
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  1. Humane Ideology
  2. Perry Nodelman
  3. pp. 173-178
  4. DOI: https://doi.org/10.1353/chl.0.0622
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  1. Widening Circles: Readers, Classrooms, Cultures
  2. J. D. Stahl
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/chl.0.0059
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  1. Hawthorne's "New Literature for the Young"
  2. Elizabeth Goodenough
  3. pp. 183-186
  4. DOI: https://doi.org/10.1353/chl.0.0163
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  1. Audaciously, Archetypally American
  2. John Cech
  3. pp. 187-191
  4. DOI: https://doi.org/10.1353/chl.0.0267
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  1. The Anne-Girl and Her Critics
  2. Anne K. Phillips
  3. pp. 192-195
  4. DOI: https://doi.org/10.1353/chl.0.0371
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  1. Fiber, Bone, and Sinew Aplenty
  2. Mary V. Jackson
  3. pp. 196-199
  4. DOI: https://doi.org/10.1353/chl.0.0476
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  1. Folktales and Traditional Morality
  2. Christa Kamenetsky
  3. pp. 200-209
  4. DOI: https://doi.org/10.1353/chl.0.0581
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  1. Interrupting the Critical Line from Rationalism to Romanticism
  2. Lissa Paul
  3. pp. 210-214
  4. DOI: https://doi.org/10.1353/chl.0.0685
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  1. Victorian Fantasy Fiction Is No Longer Just for the Childlike
  2. Glenn Edward Sadler
  3. pp. 215-218
  4. DOI: https://doi.org/10.1353/chl.0.0121
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  1. Dissertations of Note
  2. Rachel Fordyce
  3. pp. 219-229
  4. DOI: https://doi.org/10.1353/chl.0.0225
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  1. Award Applications
  3. p. 235
  4. DOI: https://doi.org/10.1353/chl.0.0434
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  1. From the Editor
  2. Elizabeth Lennox Keyser
  3. pp. vii-x
  4. DOI: https://doi.org/10.1353/chl.0.0037
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  1. "Tea with Alice of Alice in Wonderland": With an Introduction and Cultural Critique by Sanjay Sircar
  2. Sanjay Sircar, Miles Franklin
  3. pp. 127-138
  4. DOI: https://doi.org/10.1353/chl.0.0204
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  1. Contributors and Editors
  3. pp. 231-233
  4. DOI: https://doi.org/10.1353/chl.0.0329
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Volume 21, 1993

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Volume 23, 1995