1. "[A] background to our daily existence": War and Everyday Life in Frances Partridge's A Pacifist's War
  2. Lorraine Sim
  3. pp. 1-17
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  1. Austerity, Consumption, and Postwar Gender Disruption in Mollie Panter-Downes's One Fine Day
  2. Andrea Adolph
  3. pp. 18-35
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  1. "I meant nothing by The Lighthouse": Virginia Woolf's Poetics of Negation
  2. Roberta Rubenstein
  3. pp. 36-53
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  1. "I Am Not England": Narrative and National Identity in Aaron's Rod and Sea and Sardinia
  2. Bridget Chalk
  3. pp. 54-70
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  1. The Brawling of a Sparrow in the Eaves: Vision and Revision in W. B. Yeats
  2. David Ben-Merre
  3. pp. 71-85
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  1. Beckett and Language Pathology
  2. Benjamin Keatinge
  3. pp. 86-101
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  1. The Third Gospel in Finnegans Wake
  2. Roy Benjamin
  3. pp. 102-115
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  1. "The Spectacle of her Gluttony": The Performance of Female Appetite and the Bakhtinian Grotesque in Angela Carter's Nights at the Circus
  2. Abigail Dennis
  3. pp. 116-130
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  1. Reading Rhythm and Listening to Caribbean History in Fiction by Jacques Roumain and Joseph Zobel
  2. Martin Munro
  3. pp. 131-144
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  1. Looking Back: New Studies in the Literature of Twentieth-Century War
  2. Heather Lusty
  3. pp. 145-151
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  1. Notes on Contributors
  2. pp. 152-153
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