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In this Issue

Table of Contents

  1. A Note from the Editor
  2. Heather Hendershot
  3. p. 3
  4. DOI: https://doi.org/10.1353/cj.0.0029
  5. restricted access
  1. The Creature from the Black Lagoon: Marilyn Monroe and Whiteness
  2. Lois W. Banner
  3. pp. 4-29
  4. DOI: https://doi.org/10.1353/cj.0.0030
  5. restricted access
  1. Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema
  2. Margaret Hillenbrand
  3. pp. 50-75
  4. DOI: https://doi.org/10.1353/cj.0.0024
  5. restricted access
  1. Nothing On But Hoppy Badges: Hopalong Cassidy, William Boyd Enterprises, and Emergent Media Globalization
  2. Michael Kackman
  3. pp. 76-101
  4. DOI: https://doi.org/10.1353/cj.0.0026
  5. restricted access
  1. Noir Citizenship: Anthony Mann’s Border Incident
  2. Jonathan Auerbach
  3. pp. 102-120
  4. DOI: https://doi.org/10.1353/cj.0.0021
  5. restricted access
  1. Who Are These People?
  2. Toby Miller
  3. pp. 121-126
  4. DOI: https://doi.org/10.1353/cj.0.0033
  5. restricted access
  1. Who Are These People?
  2. Toby Miller
  3. pp. 121-126
  4. DOI: https://doi.org/10.1353/cj.0.0043
  5. restricted access
  1. The British Film Institute
  2. Geoffrey Nowell-Smith
  3. pp. 126-132
  4. DOI: https://doi.org/10.1353/cj.0.0035
  5. restricted access
  1. The British Film Institute
  2. Geoffrey Nowell-Smith
  3. pp. 126-132
  4. DOI: https://doi.org/10.1353/cj.0.0046
  5. restricted access
  1. After the flood: BFI Publishing beyond the BFI
  2. Rebecca Barden Responds
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/cj.0.0037
  5. restricted access
  1. After the flood: BFI Publishing beyond the BFI
  2. Rebecca Barden
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/cj.0.0050
  5. restricted access
  1. Cultural Strategies: Publishing at the British Film Institute
  2. Manuel Alvarado, Edward Buscombe
  3. pp. 135-140
  4. DOI: https://doi.org/10.1353/cj.0.0038
  5. restricted access
  1. Cultural Strategies: Publishing at the British Film Institute
  2. Manuel Alvarado, Edward Buscombe
  3. pp. 135-140
  4. DOI: https://doi.org/10.1353/cj.0.0053
  5. restricted access
  1. Whatever Happened to BFI Publishing?
  2. Pam Cook
  3. pp. 140-147
  4. DOI: https://doi.org/10.1353/cj.0.0039
  5. restricted access
  1. Whatever Happened to BFI Publishing?
  2. Pam Cook
  3. pp. 140-147
  4. DOI: https://doi.org/10.1353/cj.0.0055
  5. restricted access
  1. Implementing Cultural Policy: The Case of the BFI Distribution Library
  2. Colin McArthur
  3. pp. 147-151
  4. DOI: https://doi.org/10.1353/cj.0.0031
  5. restricted access
  1. Implementing Cultural Policy: The Case of the BFI Distribution Library
  2. Colin McArthur
  3. pp. 147-152
  4. DOI: https://doi.org/10.1353/cj.0.0057
  5. restricted access
  1. In the Dark: The BFI Archive
  2. Charlotte Brunsdon
  3. pp. 152-155
  4. DOI: https://doi.org/10.1353/cj.0.0032
  5. restricted access
  1. In the Dark: The BFI Archive
  2. Charlotte Brunsdon
  3. pp. 152-155
  4. DOI: https://doi.org/10.1353/cj.0.0042
  5. restricted access
  1. In For A Downer?: Notes on Some British Film Institute Feature Film Productions of the 1980s
  2. Bill Grantham
  3. pp. 155-163
  4. DOI: https://doi.org/10.1353/cj.0.0034
  5. restricted access
  1. In For A Downer?: Notes on Some British Film Institute Feature Film Productions of the 1980s
  2. Bill Grantham
  3. pp. 155-163
  4. DOI: https://doi.org/10.1353/cj.0.0045
  5. restricted access
  1. Archival News
  2. Scott Higgins, Sara Ross
  3. pp. 164-178
  4. DOI: https://doi.org/10.1353/cj.0.0025
  5. restricted access
  1. Cinema Journal Annotated Index to Volume 47
  2. pp. 191-194
  3. DOI: https://doi.org/10.1353/cj.0.0028
  4. restricted access
  1. Contributors
  2. p. 163
  3. DOI: https://doi.org/10.1353/cj.0.0036
  4. restricted access
  1. Contributors
  2. p. 163
  3. DOI: https://doi.org/10.1353/cj.0.0049
  4. restricted access
  1. Professional Notes
  2. Kirsten Moana Thompson, Terri Ginsberg
  3. pp. 179-190
  4. DOI: https://doi.org/10.1353/cj.0.0027
  5. restricted access