1. Economies of Lethal Emotions in La Condition humaine
  2. Liz Constable
  3. pp. 573-599
  4. DOI: 10.1353/mln.2000.0046
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  1. The Blue of the Sea: Merleau-Ponty, Malraux, and Modern Painting
  2. Claude Imbert, Kristin Koster
  3. pp. 600-618
  4. DOI: 10.1353/mln.2000.0050
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  1. La Lecon de separation
  2. Gerald Sfez
  3. pp. 619-648
  4. DOI: 10.1353/mln.2000.0054
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  1. L'Asie fantome : or, Malraux's Inhuman Condition
  2. Van den Abbeele, Georges
  3. pp. 649-661
  4. DOI: 10.1353/mln.2000.0055
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  1. The Dandy and the Commissar: Notes on the History of Culture
  2. Marc Eli Blanchard
  3. pp. 662-689
  4. DOI: 10.1353/mln.2000.0044
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  1. Libidinal Economy and Gender Trouble in Marivaux's La Fausse Suivante
  2. Elena Russo
  3. pp. 690-713
  4. DOI: 10.1353/mln.2000.0041
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  1. Reading Forgiveness and Forgiving Reading: Antonin Artaud's Correspondance avec Jacques Riviere
  2. Jeffrey Atteberry
  3. pp. 714-740
  4. DOI: 10.1353/mln.2000.0043
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  1. Elle et Elle: Antoinette Fouque et Simone de Beauvoir
  2. Catherine Rodgers
  3. pp. 741-760
  4. DOI: 10.1353/mln.2000.0053
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  1. "Herodias," or the Self-Annihilation of the Absolute Work
  2. Victor Provenzano
  3. pp. 761-782
  4. DOI: 10.1353/mln.2000.0052
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  1. "Ces Dames du Cirque": A Taxonomy of Male Desire in Nineteenth-Century French Literature and Art
  2. Nichola Anne Haxell
  3. pp. 783-800
  4. DOI: 10.1353/mln.2000.0048
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  1. The Eclipse of Desire: L'Affaire Houellebecq
  2. Jack I. Abecassis
  3. pp. 801-826
  4. DOI: 10.1353/mln.2000.0042
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  1. What is a Woman?: And Other Essays (review)
  2. Diana Knight
  3. pp. 827-830
  4. DOI: 10.1353/mln.2000.0051
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  1. Le Livre du Voir Dit (Le Dit veridique) (review)
  2. Daniel Heller-Roazen
  3. pp. 830-834
  4. DOI: 10.1353/mln.2000.0049
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  1. Maurice Maeterlinck and the Making of Modern Theatre (review)
  2. April Wuensch
  3. pp. 834-839
  4. DOI: 10.1353/mln.2000.0056
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  1. Contributors
  2. pp. 840-842
  3. DOI: 10.1353/mln.2000.0047
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  1. Books Received: 1998-2000
  2. pp. 843-848
  3. DOI: 10.1353/mln.2000.0045
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