1. Blind Gestures: Chaplin, Diderot, Lessing
  2. Kenneth Scott Calhoon
  3. pp. 381-402
  4. DOI: 10.1353/mln.2000.0031
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  1. Der Korper als Anekdote. Beobachtungen zum Bewegungstheater der 90er Jahre
  2. Gabriele Brandstetter
  3. pp. 403-422
  4. DOI: 10.1353/mln.2000.0030
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  1. Entraumlichung und Korperlosigkeit im Cyberspace und ihre historischen Vorlaufer
  2. Hartmut Bohme
  3. pp. 423-441
  4. DOI: 10.1353/mln.2000.0028
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  1. Test and Gestus in Brecht and Benjamin
  2. Brigid Doherty
  3. pp. 442-481
  4. DOI: 10.1353/mln.2000.0033
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  1. Robert Walsers Geste des Schreibens und die Komik des "interface"
  2. Thomas Wagenbaur
  3. pp. 482-501
  4. DOI: 10.1353/mln.2000.0040
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  1. Standing and Falling in Heinrich von Kleist
  2. Helmut J. Schneider
  3. pp. 502-518
  4. DOI: 10.1353/mln.2000.0039
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  1. The Crisis of Art: Max Kommerell and Jean Paul's Gestures
  2. Paul Fleming
  3. pp. 519-543
  4. DOI: 10.1353/mln.2000.0034
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  1. Autobiographisches in Grubers Beitragen zur Wieland-Biographik
  2. Lieselotte E. Kurth-Voigt
  3. pp. 544-549
  4. DOI: 10.1353/mln.2000.0036
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  1. Grundlagen der Literaturwissenschaft: Exemplarische Texte (review)
  2. Ulfried Reichardt
  3. pp. 551-554
  4. DOI: 10.1353/mln.2000.0038
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  1. Mimesis und Simulation (review)
  2. Edgar Landgraf
  3. pp. 554-560
  4. DOI: 10.1353/mln.2000.0037
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  1. Tragedy and Comedy: A Systematic Study and a Critique of Hegel (review)
  2. Dirk Hohnstrater
  3. pp. 560-567
  4. DOI: 10.1353/mln.2000.0035
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  1. Books Received
  2. pp. 568-569
  3. DOI: 10.1353/mln.2000.0029
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  1. Contributors
  2. pp. 570-571
  3. DOI: 10.1353/mln.2000.0032
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