1. Eros in the Sick Room: Phosphorescent Form and Aesthetic Ecstasy in D.H. Lawrence's Sons and Lovers
  2. Kimberly Coates
  3. pp. 135-176
  4. DOI: 10.1353/jnt.0.0009
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  1. Making History: Cinematic Time and the Powers of Retrospection in Citizen Kane and Nixon
  2. Marc Singer
  3. pp. 177-197
  4. DOI: 10.1353/jnt.0.0010
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  1. Lydia Davis's Own Philosophical Investigation: The End of the Story
  2. Christopher J. Knight
  3. pp. 198-228
  4. DOI: 10.1353/jnt.0.0011
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  1. From the Standpoint of Redemption: Aesthetic Autonomy and Social Engagement in J. M. Coetzee's Fiction of the Late Apartheid Period
  2. Michael Marais
  3. pp. 229-248
  4. DOI: 10.1353/jnt.0.0012
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  1. Once Upon a Time, Today: Hearing Fleur's Voice in Tracks
  2. Maria DePriest
  3. pp. 249-268
  4. DOI: 10.1353/jnt.0.0013
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  1. "Our Silly Lies": Ideological Fictions in M. Night Shyamalan's "The Village"
  2. Patrick C. Collier
  3. pp. 269-292
  4. DOI: 10.1353/jnt.0.0007
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  1. Contributor's Notes
  2. pp. 293-294
  3. DOI: 10.1353/jnt.0.0008
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