1. Images
  2. pp. 2-167
  3. DOI: 10.1353/dia.0.0012
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  1. Why Theory?
  2. Oscar Martín, Simone Pinet
  3. pp. 3-6
  4. DOI: 10.1353/dia.0.0001
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  1. Why Iberia?
  2. María Rosa Menocal
  3. pp. 7-11
  4. DOI: 10.1353/dia.0.0011
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  1. Edging Toward Iberia
  2. Jean Dangler
  3. pp. 12-26
  4. DOI: 10.1353/dia.0.0000
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  1. Imagining the Moor in Medieval Portugal
  2. Josiah Blackmore
  3. pp. 27-43
  4. DOI: 10.1353/dia.0.0004
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  1. Toward a Political Economy of the Libro De Alexandre
  2. Simone Pinet
  3. pp. 44-63
  4. DOI: 10.1353/dia.0.0008
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  1. Theorizing the Language of Law
  2. Jesús Rodríguez-Velasco
  3. pp. 64-86
  4. DOI: 10.1353/dia.0.0005
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  1. Reconquest Colonialism and Andalusī Narrative Practice in the Conde Lucanor
  2. David A Wacks
  3. pp. 87-103
  4. DOI: 10.1353/dia.0.0007
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  1. Queering Buen Amor
  2. Gregory S. Hutcheson
  3. pp. 104-118
  4. DOI: 10.1353/dia.0.0003
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  1. Iconicity, Romance and History in the Crónica Sarracina
  2. Marina S. Brownlee
  3. pp. 119-130
  4. DOI: 10.1353/dia.0.0010
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  1. Allegory and the Spaces of Love
  2. Oscar Martín
  3. pp. 132-146
  4. DOI: 10.1353/dia.0.0009
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  1. “El secreto oficio de la abeja”: A Sociopolitical Metaphor in the Celestina
  2. Cristina Guardiola
  3. pp. 147-155
  4. DOI: 10.1353/dia.0.0014
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  1. Five Remarks on the Contemporary Significance of the Middle Ages
  2. Alain Badiou, Simone Pinet
  3. pp. 156-157
  4. DOI: 10.1353/dia.0.0013
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  1. Index Volume 36
  2. pp. 159-162
  3. DOI: 10.1353/dia.0.0002
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  1. Contributors
  2. p. iii
  3. DOI: 10.1353/dia.0.0006
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