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Table of Contents

  1. Histories of the future: mapping the avant-garde
  2. Ian Christie
  3. pp. 6-13
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.6
  5. restricted access
  1. Play as experiment in 1920s British cinema
  2. Christine Gledhill
  3. pp. 14-34
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.14
  5. restricted access
  1. A neglected genre: James Sibley Watson's avant-garde industrial films
  2. Jan-Christopher Horak
  3. pp. 35-48
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.35
  5. restricted access
  1. The Kinamo movie camera, Emanuel Goldberg and Joris Ivens
  2. Michael K. Buckland
  3. pp. 49-58
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.49
  5. restricted access
  1. AGFA, Kullmann, Singer & Co. and early cine-film stock
  2. Carlos Bustamante
  3. pp. 59-76
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.59
  5. restricted access
  1. José Nepomuceno and the creation of a Filipino national consciousness
  2. Nadi Tofighian
  3. pp. 77-94
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.77
  5. restricted access
  1. Creating an audience for the cinématographe: two Lumière agents in Mexico, 1896
  2. John Fullerton
  3. pp. 95-114
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.95
  5. restricted access
  1. Unseen Cinema: Early American Avant-Garde Film 1894–1941, and: Unseen Cinema: Early American Avant-Garde Film 1893-1941 (review)
  2. Richard Koszarski
  3. pp. 115-117
  4. restricted access
  1. Introduction: Experiment in Film Before World War II
  2. John Fullerton
  3. pp. 3-5
  4. DOI: https://doi.org/10.2979/fil.2008.20.1.3
  5. restricted access