In this Issue

Table of Contents

Histories of the future: mapping the avant-garde

Ian Christie
pp. 6-13
DOI: https://doi.org/10.2979/fil.2008.20.1.6
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Play as experiment in 1920s British cinema

Christine Gledhill
pp. 14-34
DOI: https://doi.org/10.2979/fil.2008.20.1.14
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A neglected genre: James Sibley Watson's avant-garde industrial films

Jan-Christopher Horak
pp. 35-48
DOI: https://doi.org/10.2979/fil.2008.20.1.35
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The Kinamo movie camera, Emanuel Goldberg and Joris Ivens

Michael K. Buckland
pp. 49-58
DOI: https://doi.org/10.2979/fil.2008.20.1.49
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AGFA, Kullmann, Singer & Co. and early cine-film stock

Carlos Bustamante
pp. 59-76
DOI: https://doi.org/10.2979/fil.2008.20.1.59
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José Nepomuceno and the creation of a Filipino national consciousness

Nadi Tofighian
pp. 77-94
DOI: https://doi.org/10.2979/fil.2008.20.1.77
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Creating an audience for the cinématographe: two Lumière agents in Mexico, 1896

John Fullerton
pp. 95-114
DOI: https://doi.org/10.2979/fil.2008.20.1.95
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Unseen Cinema: Early American Avant-Garde Film 1894–1941, and: Unseen Cinema: Early American Avant-Garde Film 1893-1941 (review)

Richard Koszarski
pp. 115-117
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Introduction: Experiment in Film Before World War II

John Fullerton
pp. 3-5
DOI: https://doi.org/10.2979/fil.2008.20.1.3
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