1. Pope's 1723–25 Shakespear, Classical Editing, and Humanistic Reading Practices
  2. Edmund G. C. King
  3. pp. 3-13
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  1. "A Palpable Imaginable Visitable Past": Henry James and the Eighteenth Century
  2. Philip Horne
  3. pp. 14-28
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  1. From Pammydiddle to Persuasion: Jane Austen Rewriting Eighteenth-Century Literature
  2. Olivia Murphy
  3. pp. 29-38
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  1. Rewritten and Reused: Imaging the Nabob through "Upstart Iconography"
  2. Christina Smylitopoulos
  3. pp. 39-59
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  1. "The Last Ditch": Shades of Swift in Samuel Beckett's "Fingal"
  2. Chris Ackerley
  3. pp. 60-67
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  1. Blindness and Insight: The World, the Text (of Jonathan Swift), and the Criticism of Edward Said
  2. Clive Probyn
  3. pp. 68-80
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  1. "The Finest Ballads": Women's Oral Traditions in Eighteenth-Century Scotland
  2. Ruth Perry
  3. pp. 81-97
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  1. The Age of Anon: Johnson Rewrites the Name of the Author
  2. Gillian Paku
  3. pp. 98-109
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  1. A Connection between Chatterton and Wordsworth in Two Coleridge Poems
  2. Heidi Thomson
  3. pp. 110-119
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  1. Crusoe's Hands
  2. Ann Van Sant
  3. pp. 120-137
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  1. "Real, Beautiful Women": Actresses andThe Rival Queens
  2. Felicity Nussbaum
  3. pp. 138-158
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  1. Introduction
  2. Jocelyn Harris, Shef Rogers
  3. pp. 1-2
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