1. Deadly Words, Captive Imaginations: Women and Poetic Creation in Jean Froissart's Prison Amoureuse
  2. Brooke Heidenreich Findley
  3. pp. 1-21
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  1. Subject to Dispute: Constructions of the Author in François Béroalde de Verville's Palais des curieux (1612)
  2. Emily Butterworth
  3. pp. 23-37
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  1. The Prison-House of Revolutionary Memory: The Politics of Oblivion in Michelet, Hugo, and Dumas
  2. Göran Blix
  3. pp. 39-64
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  1. The Decadent Writer as Collector and Flâneur: On Intertextual Networks and Literary Spaces in Huysmans
  2. Joseph Acquisto
  3. pp. 65-80
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  1. Théâtralisation d'Artaud des deux côtés de l'Atlantique: Dessins et autoportraits dans les discours contemporains
  2. Martine Antle
  3. pp. 81-91
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  1. Leiris: peinture, parure
  2. Rima Joseph
  3. pp. 93-105
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  1. Entre "Femme noire" de Senghor et Femme nue, femme noire de Beyala: réseau intertextuel de subversion et d'échos
  2. Augustine H. Asaah
  3. pp. 107-122
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  1. Linda Lê's Voix and the Crisis of Representation: Alterity and the Vietnamese Immigrant Writer in France
  2. Leslie Barnes
  3. pp. 123-138
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  1. Belles de jour et de nuit: les destins croisés de René Clair et de Luis Buñuel dans le canon du cinéma en français
  2. Antoine Philippe
  3. pp. 139-154
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  1. Zayde (review)
  2. Faith E. Beasley
  3. pp. 155-156
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  1. The Hysteric's Revenge: French Women Writers at the Fin de Siècle (review)
  2. Masha Belenky
  3. pp. 156-159
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  1. Monomania: The Flight from Everyday Life in Literature and Art (review)
  2. Laura Spagnoli
  3. pp. 159-162
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  1. La littérature française au présent. Héritage, modernité, mutations (review)
  2. Derek Schilling
  3. pp. 162-164
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  1. Les Aventures de Harry Dickson. Scénario de Frédéric de Towarnicki pour un film (non réalisé) par Alain Resnais (review)
  2. Jérôme Cornette
  3. pp. 164-169
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  1. Books Received
  2. pp. 171-172
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