In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published byThe MIT Press
viewing issuePAJ 89 (Volume 30, Number 2), May 2008
Table of Contents
- Geneva, Handfall: Drawings
- pp. 51-58
- Dance Under Performa's Umbrella (review)
- pp. 59-68
- The Shifting Axis of Symmetry (review)
- pp. 69-75
- Ordinary Sites of Transgression (review)
- pp. 88-92
- Reality Sucks: The Slump in British New Writing
- pp. 102-107
- Baghdadi Bath
- pp. 112-123
- Charting the Postdramatic (review)
- pp. 124-126
Copyright © 2008 Performing Arts Journal, Inc and it’s authors.