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In this Issue

Table of Contents

  1. Restoring the Continuum
  2. Piero Scaruffi
  3. p. 104
  4. restricted access
  1. The Destruction of a Nuclear Plant
  2. Marisa González, Pablo Abril
  3. pp. 106-109
  4. restricted access
  1. Painting the Internet
  2. John Aycock
  3. pp. 112-113
  4. restricted access
  1. Voice Mosaic – Talking to the Web
  2. Martha Carrer Cruz Gabriel
  3. pp. 114-115
  4. restricted access
  1. In the Eye of the Beholder: The Perception of Indeterminate Art
  2. Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell
  3. pp. 116-117
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  1. Color Plates
  3. pp. 118-119
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  1. The Evolution of Illustrated Texts and Their Effect on Science: Examples from Early American State Geological Reports
  2. Carol Siri Johnson
  3. pp. 120-127
  4. restricted access
  1. Web-Based Algorithmic Composition from Extramusical Resources
  2. Jonathan N. Middleton, Diane Dowd
  3. pp. 128-135
  4. restricted access
  1. The Reverse Outlining Perspective of Leonardo’s Last Supper and Its Image Formation
  2. Tomás García-Salgado
  3. pp. 138-144
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  1. Marina Abramović’s Seven Easy Pieces: Critical Documentation Strategies for Preserving Art’s History
  2. Jessica Santone
  3. pp. 147-152
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  1. The Relocation of Ambient Sound: Urban Sound Sculpture
  2. Bill Fontana
  3. pp. 154-158
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  1. The Reception and Rejection of Art and Technology: Exclusions and Revulsions
  2. Edward A. Shanken
  3. pp. 160-161
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  1. Gordon Pask: Cybernetic Polymath
  2. María Fernández
  3. pp. 162-168
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  1. From Technophilia to Technophobia: The Impact of the Vietnam War on the Reception of “Art and Technology”
  2. Anne Collins Goodyear
  3. pp. 169-173
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  1. Vladimir Bonačić: Computer-Generated Works Made Within Zagreb’s New Tendencies Network (1961–1973)
  2. Darko Fritz
  3. pp. 175-183
  4. restricted access
  1. Symmetry: Cultural-Historical and Ontological Aspects of Science-Arts Relations: The Natural and Man-Made World in an Interdisciplinary Approach (review)
  2. István Hargittai
  3. pp. 185-187
  4. restricted access
  1. Too Beautiful to Picture: Zeuxis, Myth, and Mimesis (review)
  2. Amy Ione
  3. pp. 187-188
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  1. Pop Modernism: Noise and the Reinvention of the Everyday (review)
  2. Jan Baetens
  3. pp. 188-189
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  1. Beautiful/Ugly: African and Diaspora Aesthetics (review)
  2. Michael R. (Mike) Mosher
  3. pp. 189-190
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  1. The Atlas of Climate Change: Mapping the World’s Greatest Challenge (review)
  2. Stefaan Van Ryssen
  3. p. 190
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  1. The Virtual Window: From Alberti to Microsoft (review)
  2. Ian Verstegen
  3. pp. 190-191
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  1. Problematizing Global Knowledge: The Theory, Culture & Society Encyclopedia Project (review)
  2. Eugene Thacker
  3. pp. 191-192
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  1. From Technological to Virtual Art (review)
  2. Paul Hertz
  3. pp. 192-193
  4. restricted access
  1. Design Anarchy (review)
  2. John F. Barber
  3. pp. 193-194
  4. restricted access
  1. Science, Culture, and Modern State Formation (review)
  2. Enzo Ferrara
  3. pp. 194-195
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  1. All Creatures: Naturalists, Collectors, and Biodiversity, 1850–1950 (review)
  2. Jonathan Zilberg
  3. pp. 195-196
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  1. La Biennale di Venezia (review)
  2. Yvonne Spielmann
  3. pp. 196-197
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  1. Constant, Avant le Départ (review)
  2. Anthony Enns
  3. pp. 197-198
  4. restricted access
  1. Salvador Allende (review)
  2. Michael R. (Mike) Mosher
  3. p. 198
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  1. Leonardo Reviews On-Line
  3. pp. 198-199
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  1. Leonardo Network News
  3. pp. 200-201
  4. restricted access