1. "How A Child's Mind Works": Assessing The "Value" Of Britten's Juvenilia
  2. Lucy Walker
  3. pp. 641-658
  4. DOI: 10.1353/not.0.0008
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  1. "Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61
  2. Amy C. Beal
  3. pp. 659-687
  4. DOI: 10.1353/not.0.0014
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  1. The Records of the New York Composers' Forum: The Documentary Motive and Music in the 1930s
  2. Melissa J. de Graaf
  3. pp. 688-701
  4. DOI: 10.1353/not.0.0020
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  1. Necrology Index
  2. Paul Hahn
  3. pp. 702-716
  4. DOI: 10.1353/not.0.0026
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  1. Notes for NOTES
  2. pp. 717-721
  3. DOI: 10.1353/not.0.0032
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  1. Music in Seventeenth-Century Naples: Francesco Provenzale (1624–1704) (review)
  2. Guido Olivieri
  3. pp. 727-729
  4. DOI: 10.1353/not.0.0006
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  1. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention (review)
  2. Wiebke Thormählen
  3. pp. 729-731
  4. DOI: 10.1353/not.0.0012
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  1. Charles Valentin Alkan: His Life and His Music (review)
  2. Jonathan Kregor
  3. pp. 731-733
  4. DOI: 10.1353/not.0.0018
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  1. Discovering Mahler: Writings on Mahler 1955–2005 (review)
  2. James L. Zychowicz
  3. pp. 733-736
  4. DOI: 10.1353/not.0.0024
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  1. The Puccini Problem: Opera, Nationalism and Modernity (review)
  2. Arman Schwartz
  3. pp. 736-738
  4. DOI: 10.1353/not.0.0030
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  1. Edward Elgar and His World (review)
  2. James Brooks Kuykendall
  3. pp. 738-740
  4. DOI: 10.1353/not.0.0035
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  1. Erik Satie (review)
  2. Keith Clifton
  3. pp. 741-743
  4. DOI: 10.1353/not.0.0004
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  1. Olivier Messiaen: Oiseaux exotiques (review)
  2. Vincent Benitez
  3. pp. 743-745
  4. DOI: 10.1353/not.0.0010
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  1. The Selected Writings of Max Reger (review)
  2. Vincent Rone
  3. pp. 745-748
  4. DOI: 10.1353/not.0.0016
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  1. Selected Correspondence of Charles Ives (review)
  2. Clayton W. Henderson
  3. pp. 748-751
  4. DOI: 10.1353/not.0.0022
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  1. The Selected Writings of John Duke: 1917–1984 (review)
  2. Stephanie Bonjack
  3. pp. 751-752
  4. DOI: 10.1353/not.0.0028
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  1. Deems Taylor: Selected Writings (review)
  2. Christopher E. Mehrens
  3. pp. 752-754
  4. DOI: 10.1353/not.0.0033
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  1. Dance and Its Music in America, 1528–1789 (review)
  2. John E. Druesedow
  3. pp. 755-757
  4. DOI: 10.1353/not.0.0002
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  1. Unsettling Opera: Staging Mozart, Verdi, Wagner and Zeminsky (review)
  2. Richard LeSueur
  3. pp. 757-758
  4. DOI: 10.1353/not.0.0007
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  1. Beyond the Soundtrack: Representing Music in Cinema (review)
  2. Erica K. Argyropoulos
  3. pp. 759-761
  4. DOI: 10.1353/not.0.0013
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  1. Trinidad Carnival: The Cultural Politics of a Transnational Festival (review)
  2. Andrew R. Martin
  3. pp. 761-763
  4. DOI: 10.1353/not.0.0019
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  1. Harps and Harpists (review)
  2. Suzanne L. Moulton-Gertig
  3. pp. 763-764
  4. DOI: 10.1353/not.0.0025
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  1. The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries (review)
  2. Andrew Appel
  3. pp. 765-766
  4. DOI: 10.1353/not.0.0031
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  1. The End of Early Music: A Period Performer's History of Music for the Twenty-First Century (review)
  2. David Dolata
  3. pp. 767-769
  4. DOI: 10.1353/not.0.0000
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 770-786
  4. DOI: 10.1353/not.0.0005
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  1. Choral Public Domain Library (review)
  2. Robert D. Terrio
  3. pp. 794-796
  4. DOI: 10.1353/not.0.0017
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  1. African American Old-Time String Band Music: A Selective Discography
  2. Chris Durman
  3. pp. 797-808
  4. DOI: 10.1353/not.0.0023
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 808-815
  4. DOI: 10.1353/not.0.0037
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  1. Obra vocal: Obras para voz y piano (review)
  2. Walter Aaron Clark
  3. pp. 816-819
  4. DOI: 10.1353/not.0.0029
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  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 830-831
  4. DOI: 10.1353/not.0.0009
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  1. MLA Financial Statements
  2. pp. 832-842
  3. DOI: 10.1353/not.0.0015
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  1. Index to Volume 64 September 2007 through June 2008
  2. Martin D. Jenkins
  3. pp. 875-884
  4. DOI: 10.1353/not.0.0027
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  1. Index to Printed Music: Collections & Series (IPM) (review)
  2. Jean Harden
  3. pp. 787-793
  4. DOI: 10.1353/not.0.0011
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  1. Music Received
  2. David Knapp
  3. pp. 825-829
  4. DOI: 10.1353/not.0.0003
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