1. Rere Ke¯/Moving Differently: Indigenizing Methodologies for Comparative Indigenous Literary Studies
  2. Chadwick Allen
  3. pp. 1-26
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  1. Narrating Nationhood: Indian Time and Ideologies of Progress
  2. Joseph Bauerkemper
  3. pp. 27-53
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  1. Remapping Indian Country in Louise Erdrich’s The Antelope Wife
  2. Laura M. Furlan
  3. pp. 54-76
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  1. Wampum as Hypertext: An American Indian Intellectual Tradition of Multimedia Theory and Practice
  2. Angela M. Haas
  3. pp. 77-100
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  1. Coyote Warnings
  2. Inés Hernández-ávila
  3. pp. 101-102
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  1. Writing Deeper Maps: Mapmaking, Local Indigenous Knowledges, and Literary Nationalism in Native Women’s Writing
  2. Kelli Lyon Johnson
  3. pp. 103-120
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  1. I Learned Irony in Order
  2. Molly McGlennen
  3. pp. 121-122
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  1. Coming Back Round
  2. Molly McGlennen
  3. pp. 123-124
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  1. Epilogue
  2. Molly McGlennen
  3. pp. 125-126
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  1. FIDJEY: Or How to Spell “Community”
  2. William S. Penn
  3. pp. 127-142
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  1. The Emergence and Importance of Queer American Indian Literatures; or, “Help and Stories” in Thirty Years of SAIL
  2. Lisa Tatonetti
  3. pp. 143-170
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  1. Assessing Native Criticism
  2. Stephanie Fitzgerald
  3. pp. 173-174
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  1. Conceptualizing American Indian Literary Theory Today
  2. Christopher B. Teuton
  3. pp. 175-183
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  1. The Risk of Misunderstanding in Greg Sarris’s Keeping Slug Woman Alive
  2. Franci Washburn
  3. pp. 184-196
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  1. A Relational Model for Native American Literary Criticism
  2. Thomas Hove, John M. McKinn
  3. pp. 197-208
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  1. Pitfalls of Tribal Specificity
  2. Ron Carpenter
  3. pp. 209-216
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  1. Contributor Biographies
  2. pp. 217-220
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  1. From The Editor
  2. Malea Powell
  3. pp. vii-ix
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