In this Issue

Table of Contents

Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images

Timothy Wisniewski
pp. 1-24
DOI: https://doi.org/10.1353/mov.2008.0002
restricted access

A History of the Newsreel in Canada: A Struggle for Screen Time

Rosemary Bergeron
pp. 25-54
DOI: https://doi.org/10.1353/mov.2008.0009
restricted access

Commercial Video Collections: A Preservation Survey of the Avery Fisher Center Collection at NYU

Paula De Stefano, Mona Jimenez
pp. 55-82
DOI: https://doi.org/10.1353/mov.2008.0003
free access

The Missing Link: Content Indexing, User-Created Metadata, and Improving Scholarly Access to Moving Image Archives

Kevin Andreano
pp. 82-99
DOI: https://doi.org/10.1353/mov.2008.0005
restricted access

Moving Image Technology: From Zoetrope to Digital (review)

Doron Galili
pp. 100-103
DOI: https://doi.org/10.1353/mov.2008.0004
restricted access

The First Lady of Hollywood: A Biography of Louella Parsons (review)

Mary Desjardins
pp. 110-114
DOI: https://doi.org/10.1353/mov.2008.0001
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Encyclopedia of Early Cinema (review)

Oliver Gaycken
pp. 112-115
DOI: https://doi.org/10.1353/mov.2008.0006
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The Journal of Short Film. Volume 1, Fall 2005 (review)

Rich Housh
pp. 113-116
DOI: https://doi.org/10.1353/mov.2008.0010
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Peach Girl (Taohua qi xue ji) (1931), and: The Goddess (Shennü) (1934), and: Ruan Ling-Yu: The Goddess of Shanghai (2005) (review)

Michael Baskett
pp. 116-120
DOI: https://doi.org/10.1353/mov.2008.0007
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Coming Out Under Fire (1994) (review)

Barak Kushner
pp. 117-119
DOI: https://doi.org/10.1353/mov.2008.0000
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Editor's Foreword

Karen F. Gracy
pp. vi-x
DOI: https://doi.org/10.1353/mov.2008.0008
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Contributors

pp. 120-121
DOI: https://doi.org/10.1353/mov.2008.0011
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