1. From the Editor
  2. Hans Adler
  3. pp. 1-4
  4. DOI: 10.1353/mon.2008.0042
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  1. Käte Hamburger
  2. Horst Turk
  3. pp. 17-24
  4. DOI: 10.1353/mon.2008.0054
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  1. Käte Hamburger's Logik der Dichtung in Contemporary Narrative Theory
  2. Caroline Domenghino
  3. pp. 25-32
  4. DOI: 10.1353/mon.2008.0035
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  1. Botschaft oder Störung?: Eine Diskursgeschichte des "Rauschens" in der Literatur um 1800
  2. Oliver Simons
  3. pp. 33-47
  4. DOI: 10.1353/mon.2008.0049
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  1. Reading Race in Kleist's "Die Verlobung in St. Domingo"
  2. James P. Martin
  3. pp. 48-66
  4. DOI: 10.1353/mon.2008.0056
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  1. Andreas B. Kilcher
  2. pp. 67-87
  3. DOI: 10.1353/mon.2008.0053
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  1. "Auf dem goldenen Grund aller Finsternis"-Erkenntnis- , Handlungs- und Seinsgründe in Hermann Brochs Die Verzauberung
  2. Julia Mansour
  3. pp. 88-106
  4. DOI: 10.1353/mon.2008.0051
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  1. Shocked Silences: Alfred Andersch, Walter Benjamin, Ludwig Wittgenstein
  2. Marcus Paul Bullock
  3. pp. 107-127
  4. DOI: 10.1353/mon.2008.0030
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  1. Zeichenkörper und Körperzeichen im Wandel von Literatur- und Sprachgeschichte (review)
  2. Ulrike Landfester
  3. pp. 128-129
  4. DOI: 10.1353/mon.2008.0036
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  1. What is Narratology? Questions and Answers Regarding the Status of a Theory, and: Elemente der Narratologie (review)
  2. Sabine Gross
  3. pp. 130-135
  4. DOI: 10.1353/mon.2008.0038
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  1. Figuren des Europäischen. Kulturgeschichtliche Perspektiven (review)
  2. Gerhart Hoffmeister
  3. pp. 135-137
  4. DOI: 10.1353/mon.2008.0043
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  1. Physiognomy in Profile: Lavater's Impact on European Culture (review)
  2. Rainer Godel
  3. pp. 137-139
  4. DOI: 10.1353/mon.2008.0055
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  1. The Lisbon Earthquake of 1755: Representations and Reactions (review)
  2. Christoph Weber
  3. pp. 139-141
  4. DOI: 10.1353/mon.2008.0032
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  1. Lexikon deutschsprachiger Epik und Dramatik von Autorinnen (1730-1900) (review)
  2. Katherine Goodman
  3. pp. 141-142
  4. DOI: 10.1353/mon.2008.0033
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  1. Berlin's Forgotten Future: City, History, and Enlightenment in Eighteenth-Century Germany (review)
  2. Ursula Goldenbaum
  3. pp. 143-144
  4. DOI: 10.1353/mon.2008.0028
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  1. Benedikte Nauberts Neue Volksmärchen der Deutschen. Strukturen des Wandels (review)
  2. Waltraud Maierhofer
  3. pp. 145-146
  4. DOI: 10.1353/mon.2008.0046
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  1. Augen-Spiel. Jean Pauls optische Metaphorik der Unsterblichkeit (review)
  2. Wulf Koepke
  3. pp. 147-149
  4. DOI: 10.1353/mon.2008.0031
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  1. Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-Century German Literature (review)
  2. Chad Wellmon
  3. pp. 149-151
  4. DOI: 10.1353/mon.2008.0037
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  1. Die Weisheit des Silen. Heinrich Heine und die Kritik des Lebens (review)
  2. George F. Peters
  3. pp. 151-152
  4. DOI: 10.1353/mon.2008.0039
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  1. Theodor Fontane Bibliographie. Werk und Forschung (review)
  2. Frederick Betz
  3. pp. 152-154
  4. DOI: 10.1353/mon.2008.0052
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  1. Luftzug hinter Samtportieren. Versuch über E. Marlitt (review)
  2. Helga Druxes
  3. pp. 154-156
  4. DOI: 10.1353/mon.2008.0045
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  1. Seelenzauber. Thomas Mann und die Musik (review)
  2. Joachim Lucchesi
  3. pp. 156-158
  4. DOI: 10.1353/mon.2008.0041
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  1. The Void of Ethics: Robert Musil and the Experience of Modernity (review)
  2. Steve Dowden
  3. pp. 158-159
  4. DOI: 10.1353/mon.2008.0040
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  1. Irmtraud Morgner: Adventures in Knowledge, 1959–1974 (review)
  2. Keith Bullivant
  3. pp. 162-163
  4. DOI: 10.1353/mon.2008.0057
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  1. Das Dilemma des weiblichen Ich (review)
  2. Brigitte E. Jirku
  3. pp. 163-165
  4. DOI: 10.1353/mon.2008.0048
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  1. Wendekrisen. Der Pikaro im deutschen Roman der 1990er Jahre (review)
  2. Walter Pape
  3. pp. 165-167
  4. DOI: 10.1353/mon.2008.0034
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  1. Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture (review)
  2. Theodore F. Rippey
  3. pp. 169-172
  4. DOI: 10.1353/mon.2008.0044
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  1. Episches Theater als Film. Bühnenstücke Bertolt Brechts in den audiovisuellen Medien (review)
  2. Cynthia Walk
  3. pp. 172-174
  4. DOI: 10.1353/mon.2008.0059
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  1. Traveling Between Worlds: German-American Encounters (review)
  2. Cora Lee Kluge
  3. pp. 174-175
  4. DOI: 10.1353/mon.2008.0058
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