1. Accelerator
  2. DOI: 10.1353/thr.2008.0053
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  1. Eight Photographs
  2. Jack Wilgus
  3. pp. 1-9
  4. DOI: 10.1353/thr.2008.0031
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  1. The Art Student's War
  2. Brad Leithauser
  3. pp. 191-209
  4. DOI: 10.1353/thr.2008.0048
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  1. Opening the Camp
  2. Timothy Steele
  3. pp. 210-211
  4. DOI: 10.1353/thr.2008.0050
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  1. Flying Colors
  2. Timothy Steele
  3. p. 212
  4. DOI: 10.1353/thr.2008.0054
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  1. Rhetorical Questions
  2. Rosellen Brown
  3. pp. 213-226
  4. DOI: 10.1353/thr.2008.0051
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  1. Folly In The Garden
  2. John Dixon Hunt
  3. pp. 227-262
  4. DOI: 10.1353/thr.2008.0035
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  1. The Combine
  2. Wyatt Prunty
  3. p. 263
  4. DOI: 10.1353/thr.2008.0038
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  1. House Wren
  2. Wyatt Prunty
  3. p. 264
  4. DOI: 10.1353/thr.2008.0042
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  1. Mrs. Stamp
  2. Padgett Powell
  3. pp. 265-268
  4. DOI: 10.1353/thr.2008.0028
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  1. Many a One
  2. pp. 269-272
  3. DOI: 10.1353/thr.2008.0033
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  1. Bad Tölz, Bavaria, 1909
  2. Richard Howard
  3. pp. 273-274
  4. DOI: 10.1353/thr.2008.0041
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  1. Jean Gabin: A Screen Image
  2. David Slavitt
  3. pp. 275-293
  4. DOI: 10.1353/thr.2008.0046
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  1. After Hours: A Glimpse of My Radiologist
  2. Claudia Emerson
  3. p. 294
  4. DOI: 10.1353/thr.2008.0037
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  1. Margaret and her Puppy Ralph
  2. Andrew Hudgins
  3. p. 295
  4. DOI: 10.1353/thr.2008.0045
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  1. Spit Shine
  2. p. 296
  3. DOI: 10.1353/thr.2008.0049
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  1. The Boy
  2. Andrew Hudgins
  3. p. 298
  4. DOI: 10.1353/thr.2008.0030
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  1. US/THEM
  2. John Barth
  3. pp. 299-311
  4. DOI: 10.1353/thr.2008.0034
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  1. Why I Am Not a Musician
  2. Karl Kirchwey
  3. pp. 312-313
  4. DOI: 10.1353/thr.2008.0040
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  1. A Cement Lawn Statue
  2. Karl Kirchwey
  3. p. 314
  4. DOI: 10.1353/thr.2008.0044
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  1. Living Out the Sixties
  2. David Wyatt
  3. pp. 315-339
  4. DOI: 10.1353/thr.2008.0036
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  1. And the Deep Elegy That Rises From The Mountains Has No Home
  2. Michael Blumenthal
  3. p. 340
  4. DOI: 10.1353/thr.2008.0043
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  1. And the Army of the Separated Shall Drown in Tears
  2. Michael Blumenthal
  3. p. 341
  4. DOI: 10.1353/thr.2008.0047
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  1. Time, Space and Motion in the Age of Shakespeare (review)
  2. O. Bradley Bassler
  3. pp. 342-346
  4. DOI: 10.1353/thr.2008.0039
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  1. "Our Greatest Sculptor": Richard Serra at MoMA (review)
  2. Ronald Paulson
  3. pp. 346-352
  4. DOI: 10.1353/thr.2008.0052
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  1. Victory, and: The River of Forgetfulness (review)
  2. Isaac Cates
  3. pp. 352-355
  4. DOI: 10.1353/thr.2008.0055
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  1. Ten Days in the Hills (review)
  2. Ellen Akins
  3. pp. 355-359
  4. DOI: 10.1353/thr.2008.0029
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  1. Notes on Contributors
  2. pp. 360-361
  3. DOI: 10.1353/thr.2008.0032
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