In this Issue

Table of Contents

dead-in-iraq: performance/memorial/protest

Joseph Delappe
pp. 2-3
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"We Are, After All, at War"

Richard Schechner
pp. 7-10
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Planning Ahead with Adolf Hitler

Kenneth H. Brown
pp. 11-13
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TDR Comings and Goings

Richard Schechner, Mariellen R. Sandford
pp. 14-16
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Telling and Showing: Witnesses Represent Sierra Leone’s War Atrocities in Court and Onstage

Shanee Stepakoff
pp. 17-31
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Performing the Nation: Theatre in Post-Genocide Rwanda

Ananda Breed
pp. 32-50
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From Mastermind to Body Artist: Political Performances of Slobodan Milošević

Branislav Jakovljevic
pp. 51-74
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Witnessing Proceedings: The Hague War Crimes Tribunal, Narrative Indeterminacy, and the Public Audience

Graham White
pp. 75-87
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Acts of Violence: Theatre of Resistance and Relief in the Colombian War Zone

Barnaby King
pp. 88-109
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Three Stories from the Trenches: The Theatre of the Oppressed in the Midst of War

Doug Paterson
pp. 110-117
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Gulag, the Musical: Performing Trauma in North Korea through Yoduk Story

Suk-Young Kim
pp. 118-135
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Performing the State of Exception: Coco Fusco’s Operation Atropos and A Room of One’s Own

José Esteban Muñoz
pp. 136-139
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Artist’s Statement

Coco Fusco
pp. 139-153
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Theatre as Discipline: Performing Military Interrogation: An Interview with Mike Ritz

Coco Fusco, Mike Ritz
pp. 153-159
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Blackened Windows: from The War Zone Is My Bed

Yasmine Beverly Rana
pp. 160-166
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Biokhraphia

Lina Saneh, Rabih Mroué
pp. 167-178
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Habeas Corpus: Behold the Body

Ann Pellegrini
pp. 179-182
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On Recent Performances of Luigi Nono’s The Forest Is Young and Full of Life

Judith Irene Lochhead
pp. 182-189
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Lakeviews: A Bus Tour As a Vehicle for Regrowth in New Orleans

William Bowling, Rachel Carrico
pp. 190-196
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Border Hysteria and the War against Difference

Guillermo Gómez-Peña
pp. 196-203
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Significant Other: Staging the American in China (review)

Rossella Ferrari
pp. 204-206
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Utopia in Performance: Finding Hope at the Theatre (review)

Paige McGinley
pp. 206-208
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Dancing from Past to Present: Nation, Culture, Identities (review)

Kélina Gotman
pp. 208-210
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Performing Consumers: Global Capital and Its Theatrical Seduction (review)

Carla Mastraccio
pp. 210-212
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