In this Issue

Table of Contents

The Sense of Touch in 'Don Giovanni'

Stephen C. Rumph
pp. 561-588
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Another Mass Attributable to Giovanni Rovetta

Jonathan R. J. Drennan
pp. 589-603
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Lutosławski, 'Akcja', and the Poetics of Musical Plot

Nicholas Reyland
pp. 604-631
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From Sketch to Score: A Facsimile Edition of Boulez's 'Le Marteau sans maître'

Peter O'Hagan
pp. 632-644
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Music and Ideas in the Sixteenth and Seventeenth Centuries (review)

Kate Van Orden
pp. 645-646
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The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe (review)

Vassilis Vavoulis
pp. 646-650
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The Courtesan's Arts: Cross-Cultural Perspectives (review)

Donna G. Cardamone
pp. 650-652
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The Art of Commedia: A Study in the Commedia dell'Arte 1560-1620 with Special Reference to the Visual Records (review)

Thomas F. Heck
pp. 652-653
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'To Fill, Forbear, or Adorne': The Organ Accompaniment of Restoration Sacred Music (review)

H. Diack Johnstone
pp. 653-655
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The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (review)

B. W. Ife
pp. 655-658
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Recognition in Mozart's Operas (review)

Andrew Steptoe
pp. 658-660
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Die Opera seria bei Joseph Haydn: Studien zu Form und Struktur musikalischer Affekdramaturgie und Figurentypologiesierung in Armida und L'Anima del filosofo ossia Orfeo ed Euridice (review)

John A. Rice
pp. 660-661
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The Symphony in Beethoven's Vienna (review)

Barry Cooper
pp. 661-663
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E. T. A. Hoffmann's Musical Aesthetics (review)

Matthew Riley
pp. 663-664
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Bruckners Neunte im Fegefeuer der Rezeption (review)

Julian Horton
pp. 664-667
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Jumping to Conclusions: The Falling-Third Cadences in Chant, Polyphony, and Recitative (review)

Emma Hornby
pp. 667-670
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Les Offices historiques ou 'historiae'composés pour les fêtes des saints dans la province ecclésiastique de Reims (775-1030) (review)

David Hiley
pp. 670-672
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The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 (review)

Elizabeth Eva Leach
pp. 673-676
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Instruments à claviers-/-expressivité et flexibilité sonore: Actes des rencontres internationales harmoniques, Lausanne 2002 (review)

Dorothy De Val
pp. 676-680
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Fromental Halévy: La Reine de Chypre. Dossier de presse parisienne (1841) (review)

Mark A. Pottinger
pp. 680-682
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Republican Morality and Catholic Tradition in the Opera: Massenet's Hérodiade and Thaïs (review)

Steven Huebner
pp. 683-684
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Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883 (review)

Derek B. Scott
pp. 684-685
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Taffanel: Genius of the Flute (review)

Richard Langham Smith
pp. 685-688
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The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation (review)

Jeffrey Richards
pp. 688-689
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The Prima Donna and Opera, 1815-1930 (review)

Alexandra Wilson
pp. 689-692
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Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) (review)

Bryan R. Simms
pp. 692-695
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Dmitri Shostakovich: A Life in Film (review)

Erik Heine
pp. 695-697
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Shostakovich: A Life Remembered (New Edition) (review)

David Fanning
pp. 697-698
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Changing Tunes: The Use of Pre-existing Music in Film (review)

Marcia J. Citron
pp. 698-702
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Edgard Varèse: Composer, Sound Sculptor, Visionary (review)

David Nicholls
pp. 702-704
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Voices in the Wilderness: Six American Neo-Romantic Composers (review)

David Nicholls
pp. 704-706
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Morton Feldman Says: Selected Interviews and Lectures 1964-1987 (review)

Clemens Gresser
pp. 706-708
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True to the Roots: Americana Music Revealed (review)

Sarah Hill
pp. 708-709
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Music in Brazil: Experiencing Music, Expressing Culture (review)

Rogério Budasz
pp. 709-711
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Recipients of 'Music & Letters' Awards

p. 712
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The Westup Prize

p. 712
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Authors of Articles in this Issue

p. 714
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Books Received

pp. 715-716
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