1. Replacing Haydn: Mozart's 'Pleyel' Quartets
  2. Mark Evan Bonds
  3. pp. 201-225
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  1. Studying with Sechter: Newly Recovered Reminiscences about Schubert by his Forgotten Friend, the Composer Joseph Lanz
  2. Rita Steblin, Frederick Stocken
  3. pp. 226-265
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  1. The 'Old Shostakovich': Reception in the British Press
  2. Pauline Fairclough
  3. pp. 266-296
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  1. Narrative Theory as an Analytical Tool in the Study of Popular Music Texts
  2. David Nicholls
  3. pp. 297-315
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  1. Ancient Greek Music in Performance: Symposion Wien 29. Sept.\-\-1. Okt. 2003 (review)
  2. Thomas J. Mathiesen
  3. pp. 316-322
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  1. A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726), and: Michel-Richard Delalande ou Le Lully latin (review)
  2. Don Fader
  3. pp. 322-327
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  1. Cöthener Bach-Hefte, 12 (review)
  2. Steven David Zohn
  3. pp. 328-330
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  1. Geschichte, Bauweise und Spieltechnik der tiefen Streichinstrumente: 21. Musikinstrumentenbau-Symposium Michaelstein, 17. bis 19. November 2000 (review)
  2. Mary Térey-Smith
  3. pp. 330-333
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  1. Organ Restoration Reconsidered; Proceedings of a Colloquium (review)
  2. Lawrence Archbold
  3. pp. 333-335
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  1. Jazz Consciousness: Music, Race, and Humanity (review)
  2. Andy Fry
  3. pp. 335-340
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  1. Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (review)
  2. Thomas Street Christensen
  3. pp. 340-345
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  1. Mozart (review)
  2. David A. Grayson
  3. pp. 345-347
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  1. The Cambridge Companion to Twentieth-Century Opera (review)
  2. Björn Heile
  3. pp. 347-353
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  1. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert (review)
  2. V. Kofi Agawu
  3. pp. 353-355
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  1. Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult (review)
  2. Daniel M. Grimley
  3. pp. 355-358
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  1. Unsettling Scores: German Film, Music, and Ideology (review)
  2. Giorgio Biancorosso
  3. pp. 358-360
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  1. Alexander Skrjabin: Werk und Gedankenwelt (review)
  2. David Fanning
  3. pp. 360-361
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  1. Prokofiev's Ballets for Diaghilev (review)
  2. David Fanning
  3. pp. 361-362
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  1. L'Écriture de la critique musicale au temps de Berlioz (review)
  2. Katharine Ellis
  3. pp. 362-364
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  1. Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the St Matthew Passion (review)
  2. James Garratt
  3. pp. 364-367
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  1. The Composer as Intellectual: Music and Ideology in France 1914-1940 (review)
  2. Deborah Mawer
  3. pp. 367-370
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  1. Mimomania: Music and Gesture in Nineteenth-Century Opera (review)
  2. Sarah Hibberd
  3. pp. 370-374
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  1. Harmonie en bleu et or: Debussy, la musique et les arts (review)
  2. Robert Orledge
  3. pp. 375-377
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  1. Klang und Linie von Pierrot Lunaire zu Ionisation : Studien zur funktionalen Wechselwirkung von Spezialensemble, Formfindung und Klangfarbenpolyphonie (review)
  2. M. J. Grant
  3. pp. 377-379
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  1. Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (review)
  2. Alf Björnberg
  3. pp. 379-382
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  1. Elgar: Child of Dreams (review)
  2. Matthew Riley
  3. pp. 382-384
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  1. Essays on Music and the Spoken Word and on Surveying the Field (review)
  2. Lucy Walker
  3. pp. 385-390
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  1. Sonate Sinfonie: Canzoni, Passemezzi, Balletti, Correnti, Gagliarde, & Ritornelli, a 1, 2, 3, 4, 5 & 6 voci per ogni sorte di stromento, Opera VIII (review)
  2. Sandra Mangsen
  3. pp. 391-395
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  1. Il ritorno d'Ulisse in patria (review)
  2. Antonio Cascelli
  3. pp. 395-398
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  1. Abu Hassan, and: Preciosa (review)
  2. Michael Charles Tusa
  3. pp. 398-400
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  1. Books Received
  3. pp. 403-404
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