In this Issue

Table of Contents

Replacing Haydn: Mozart's 'Pleyel' Quartets

Mark Evan Bonds
pp. 201-225
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Studying with Sechter: Newly Recovered Reminiscences about Schubert by his Forgotten Friend, the Composer Joseph Lanz

Rita Steblin, Frederick Stocken
pp. 226-265
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The 'Old Shostakovich': Reception in the British Press

Pauline Fairclough
pp. 266-296
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Narrative Theory as an Analytical Tool in the Study of Popular Music Texts

David Nicholls
pp. 297-315
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Ancient Greek Music in Performance: Symposion Wien 29. Sept.\-\-1. Okt. 2003 (review)

Thomas J. Mathiesen
pp. 316-322
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A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726), and: Michel-Richard Delalande ou Le Lully latin (review)

Don Fader
pp. 322-327
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Cöthener Bach-Hefte, 12 (review)

Steven David Zohn
pp. 328-330
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Geschichte, Bauweise und Spieltechnik der tiefen Streichinstrumente: 21. Musikinstrumentenbau-Symposium Michaelstein, 17. bis 19. November 2000 (review)

Mary Térey-Smith
pp. 330-333
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Organ Restoration Reconsidered; Proceedings of a Colloquium (review)

Lawrence Archbold
pp. 333-335
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Jazz Consciousness: Music, Race, and Humanity (review)

Andy Fry
pp. 335-340
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Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (review)

Thomas Street Christensen
pp. 340-345
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Mozart (review)

David A. Grayson
pp. 345-347
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The Cambridge Companion to Twentieth-Century Opera (review)

Björn Heile
pp. 347-353
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Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert (review)

V. Kofi Agawu
pp. 353-355
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Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult (review)

Daniel M. Grimley
pp. 355-358
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Unsettling Scores: German Film, Music, and Ideology (review)

Giorgio Biancorosso
pp. 358-360
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Alexander Skrjabin: Werk und Gedankenwelt (review)

David Fanning
pp. 360-361
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Prokofiev's Ballets for Diaghilev (review)

David Fanning
pp. 361-362
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L'Écriture de la critique musicale au temps de Berlioz (review)

Katharine Ellis
pp. 362-364
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Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the St Matthew Passion (review)

James Garratt
pp. 364-367
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The Composer as Intellectual: Music and Ideology in France 1914-1940 (review)

Deborah Mawer
pp. 367-370
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Mimomania: Music and Gesture in Nineteenth-Century Opera (review)

Sarah Hibberd
pp. 370-374
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Harmonie en bleu et or: Debussy, la musique et les arts (review)

Robert Orledge
pp. 375-377
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Klang und Linie von Pierrot Lunaire zu Ionisation : Studien zur funktionalen Wechselwirkung von Spezialensemble, Formfindung und Klangfarbenpolyphonie (review)

M. J. Grant
pp. 377-379
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Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (review)

Alf Björnberg
pp. 379-382
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Elgar: Child of Dreams (review)

Matthew Riley
pp. 382-384
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Essays on Music and the Spoken Word and on Surveying the Field (review)

Lucy Walker
pp. 385-390
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Sonate Sinfonie: Canzoni, Passemezzi, Balletti, Correnti, Gagliarde, & Ritornelli, a 1, 2, 3, 4, 5 & 6 voci per ogni sorte di stromento, Opera VIII (review)

Sandra Mangsen
pp. 391-395
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Il ritorno d'Ulisse in patria (review)

Antonio Cascelli
pp. 395-398
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Abu Hassan, and: Preciosa (review)

Michael Charles Tusa
pp. 398-400
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Books Received

pp. 403-404
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