In this Issue

Table of Contents

Tennyson and the Legacies of Romantic Art

Seamus Perry
pp. 1-12
DOI: https://doi.org/10.1353/rom.0.0020
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Byron, Clough, and the Grounding of Victorian Poetry

Richard Cronin
pp. 13-24
DOI: https://doi.org/10.1353/rom.0.0017
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The Changing Faces of the Byronic Hero in Middlemarch and North and South

Sarah Wootton
pp. 25-35
DOI: https://doi.org/10.1353/rom.0.0003
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A. C. Bradley’s Views of Shelley’s Poetry and Poetics

Michael O’Neill
pp. 36-46
DOI: https://doi.org/10.1353/rom.0.0007
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Songs of the Self: Berryman’s Whitman

Gareth Reeves
pp. 47-56
DOI: https://doi.org/10.1353/rom.0.0010
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‘Webbed with Golden Lines’: Saul Bellow’s Romanticism

Mark Sandy
pp. 57-67
DOI: https://doi.org/10.1353/rom.0.0013
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British Romanticism and Continental Influences: Writing in an Age of Europhobia (review)

Christoph Bode
pp. 68-72
DOI: https://doi.org/10.1353/rom.0.0016
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Literary Relations: Kinship and the Canon 1660–1830 (review)

Nicola Healey
pp. 72-75
DOI: https://doi.org/10.1353/rom.0.0019
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Blake and Modern Literature (review)

David Fallon
pp. 75-77
DOI: https://doi.org/10.1353/rom.0.0000
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Plagiarism and Literary Property in the Romantic Period, and: Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (review)

Andrew M. Stauffer
pp. 77-80
DOI: https://doi.org/10.1353/rom.0.0005
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Preface

Michael O’Neill
p. v
DOI: https://doi.org/10.1353/rom.0.0002
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