In this Issue
Small Axe focuses on the renewal of practices of intellectual criticism. It recognizes a tradition of social, political, and cultural criticism in and about regional/disasporic Caribbean and honors that tradition but also argues with it because it is through such argument that a tradition renews itself.
published by
Indiana University Pressviewing issue
Number 25 (Volume 12, Number 1), February 2008Table of Contents
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View Fracturing Subjectivities: International Space and the Discourse of Individualism in Colin Channer's Waiting in Vain and Jamaica Kincaid's Mr. Potter
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Fracturing Subjectivities: International Space and the Discourse of Individualism in Colin Channer's Waiting in Vain and Jamaica Kincaid's Mr. Potter
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View “Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing Caribbean Art Histories After Postcoloniality
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“Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing Caribbean Art Histories After Postcoloniality
- Save “Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing Caribbean Art Histories After Postcoloniality
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| ISSN | 1534-6714 |
|---|---|
| Print ISSN | 0799-0537 |
| Launched on MUSE | 2008-03-27 |
| Open Access | No |





