1. "High" Art and "Low" Blows: Titus Andronicus and the Critical Language of Pain
  2. Lisa Dickson
  3. pp. 1-22
  4. DOI: 10.1353/shb.2008.0036
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  1. Ariel's Liberty
  2. Katherine Steele Brokaw
  3. pp. 23-42
  4. DOI: 10.1353/shb.2008.0021
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  1. Coriolanus, Antitheatricalism, and Audience Response
  2. Robert Ormsby
  3. pp. 43-62
  4. DOI: 10.1353/shb.2008.0035
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  1. Crossbows and Ghosts, Promenades and Gurneys: Shakespeare Onstage in 2007
  2. Alan C. Dessen
  3. pp. 63-75
  4. DOI: 10.1353/shb.2008.0032
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  1. Branagh's Love's Labour's Lost and the Return of the Hollywood Musical: Song of the Living Dead
  2. Douglas E. Green
  3. pp. 77-96
  4. DOI: 10.1353/shb.2008.0043
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  1. Film Review
  2. Samuel Crowl
  3. pp. 97-101
  4. DOI: 10.1353/shb.2008.0028
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  1. Shakespeare on Film: Such Things as Dreams are Made Of (review)
  2. M.G. Aune
  3. pp. 103-105
  4. DOI: 10.1353/shb.2008.0030
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  1. From the Theatre Review Editor
  2. Jeremy Lopez
  3. pp. 107-108
  4. DOI: 10.1353/shb.2008.0027
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  1. Romeo and Juliet Academic Theatre Review Kit*
  2. Alan Armstrong
  3. pp. 109-124
  4. DOI: 10.1353/shb.2008.0026
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  1. Doctor Faustus and The Devil is an Ass (review)
  2. Lois Potter
  3. pp. 124-131
  4. DOI: 10.1353/shb.2008.0022
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  1. Race, Linens, and Essences [Almost] Not Seen: Othello at the Shakespeare Institute, December 2006
  2. Kevin Crawford
  3. pp. 131-136
  4. DOI: 10.1353/shb.2008.0024
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  1. A Midsummer Night's Manga: An Anglo-Japanese Collaboration at The New National Theatre, Tokyo (review)
  2. Todd Andrew Borlik
  3. pp. 136-141
  4. DOI: 10.1353/shb.2008.0041
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  1. Hamlet (review)
  2. Samuel Park
  3. pp. 141-145
  4. DOI: 10.1353/shb.2008.0039
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  1. "Noises, Sounds and Sweet Airs": Northern Broadsides' The Tempest (review)
  2. Christian M. Billing
  3. pp. 145-151
  4. DOI: 10.1353/shb.2008.0034
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  1. (Almost) All-male Shakespeare in New York City, 2006–7
  2. Jeremy Lopez
  3. p. 152
  4. DOI: 10.1353/shb.2008.0031
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  1. Twelfth Night Propeller, March 17–April 1, 2007
  2. Gregory Blume
  3. pp. 152-154
  4. DOI: 10.1353/shb.2008.0038
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  1. Twelfth Night (review)
  2. Kirk Quinsland
  3. pp. 154-156
  4. DOI: 10.1353/shb.2008.0025
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  1. As You Like It at the Here Arts Center, March 15?April 1, 2007
  2. Julie Fifelski
  3. pp. 156-158
  4. DOI: 10.1353/shb.2008.0040
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  1. The Merry Wives of Windsor (review)
  2. Stephanie Pietros
  3. pp. 158-161
  4. DOI: 10.1353/shb.2008.0042
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  1. Shakespeare in New England, 2007
  2. Yu Jin Ko
  3. pp. 161-174
  4. DOI: 10.1353/shb.2008.0023
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  1. Twelfe Night, Or What You Will (review)
  2. Michael W. Shurgot
  3. pp. 174-180
  4. DOI: 10.1353/shb.2008.0029
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  1. The American Shakespeare Company
  2. Andrea Stevens
  3. pp. 181-186
  4. DOI: 10.1353/shb.2008.0037
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  1. Shakespeare's Globe Theatre
  2. Peter J. Smith
  3. pp. 186-193
  4. DOI: 10.1353/shb.2008.0033
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