1. "Defying Gravity": Queer Conventions in the Musical Wicked
  2. Stacy Ellen Wolf
  3. pp. 1-21
  4. DOI: 10.1353/tj.2008.0075
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  1. "Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's 4.48 Psychosis
  2. Alicia Tycer
  3. pp. 23-36
  4. DOI: 10.1353/tj.2008.0069
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  1. Roll yo' hips—don't roll yo' eyes : Angularity and Embodied Spectatorship in Zora Neale Hurston's Play, Cold Keener
  2. Jennifer A. Cayer
  3. pp. 37-69
  4. DOI: 10.1353/tj.2008.0060
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  1. Al-halqa in Arabic Theatre: An Emerging Site of Hybridity
  2. Khalid Amine, Marvin A. Carlson
  3. pp. 71-85
  4. DOI: 10.1353/tj.2008.0062
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  1. Caterina's Colombina: The Birth of a Female Trickster in Seventeenth-Century France
  2. Domnica Radulescu
  3. pp. 87-113
  4. DOI: 10.1353/tj.2008.0059
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  1. Los Illegals (review)
  2. David Román
  3. pp. 115-117
  4. DOI: 10.1353/tj.2008.0077
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  1. National Arts Festival (review)
  2. Loren Kruger
  3. pp. 117-120
  4. DOI: 10.1353/tj.2008.0056
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  1. Theatertreffen Festival (review)
  2. Jennifer Worth
  3. pp. 120-125
  4. DOI: 10.1353/tj.2008.0044
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  1. Bahar Noktasi, and: Timon of Athens (review)
  2. Laurence Raw
  3. pp. 125-127
  4. DOI: 10.1353/tj.2008.0065
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  1. Tempo de Verão (review)
  2. Clare Croft
  3. pp. 127-128
  4. DOI: 10.1353/tj.2008.0041
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  1. The Cherry Orchard, and: Uncle Vanya, and: Three Sisters, and: The Seagull (review)
  2. Stuart Young
  3. pp. 129-132
  4. DOI: 10.1353/tj.2008.0050
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  1. The Coast of Utopia (Voyage, Shipwreck, Salvage) (review)
  2. E. Teresa Choate
  3. pp. 133-137
  4. DOI: 10.1353/tj.2008.0072
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  1. Blue Shade (review)
  2. Donovan Sherman
  3. pp. 137-139
  4. DOI: 10.1353/tj.2008.0063
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  1. Waves, and: Attempts on Her Life (review)
  2. Neil Martin Blackadder
  3. pp. 139-141
  4. DOI: 10.1353/tj.2008.0043
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  1. Days of Significance (review)
  2. Mark Pizzato
  3. pp. 141-143
  4. DOI: 10.1353/tj.2008.0054
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  1. The Color Purple (review)
  2. Nicole Hodges Persley
  3. pp. 143-144
  4. DOI: 10.1353/tj.2008.0048
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  1. In The Heights (review)
  2. Roxane Heinze
  3. pp. 145-146
  4. DOI: 10.1353/tj.2008.0045
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  1. The Skin of Our Teeth (review)
  2. Tiffany Knight Raymond
  3. pp. 146-148
  4. DOI: 10.1353/tj.2008.0071
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  1. A Moon for the Misbegotten (review)
  2. Steve Earnest
  3. pp. 148-149
  4. DOI: 10.1353/tj.2008.0053
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  1. The Cambridge Companion to Edward Albee (review)
  2. Michael Y. Bennett
  3. pp. 151-152
  4. DOI: 10.1353/tj.2008.0068
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  1. Thornton Wilder and the Puritan Narrative Tradition (review)
  2. Fonzie D. Geary
  3. pp. 152-153
  4. DOI: 10.1353/tj.2008.0070
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  1. Sisters In Sin: Brothel Drama In America, 1900-1920 (review)
  2. Dorothy Chansky
  3. pp. 153-154
  4. DOI: 10.1353/tj.2008.0066
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  1. Strange Duets: Impresarios and Actresses In the American Theatre, 1865-1914 (review)
  2. Eileen Curley
  3. pp. 155-156
  4. DOI: 10.1353/tj.2008.0047
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  1. Early American Women Critics: Performance, Religion, Race (review)
  2. Heather S. Nathans
  3. pp. 156-157
  4. DOI: 10.1353/tj.2008.0042
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  1. An Eye on Race: Perspectives From Theater in Imperial Spain (review)
  2. Ted L. L. Bergman
  3. pp. 157-158
  4. DOI: 10.1353/tj.2008.0074
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  1. Cultural Agency In the Americas (review)
  2. Ramon H. Rivera-Servera
  3. pp. 158-160
  4. DOI: 10.1353/tj.2008.0057
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  1. Codifying the National Self: Spectators, Actors and the American Dramatic Text (review)
  2. Yuko Kurahashi
  3. pp. 160-161
  4. DOI: 10.1353/tj.2008.0061
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  1. The American Musical and the Performance of Personal Identity (review)
  2. Diana Calderazzo
  3. pp. 161-163
  4. DOI: 10.1353/tj.2008.0055
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  1. The Musical as Drama (review)
  2. Laura MacDonald
  3. pp. 163-164
  4. DOI: 10.1353/tj.2008.0067
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  1. Drama/Theatre/Performance (review)
  2. Lisa Jane Gaughan
  3. pp. 164-165
  4. DOI: 10.1353/tj.2008.0064
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  1. Stage Fright, Animals, and Other Theatrical Problems (review)
  2. Kélina Gotman
  3. pp. 165-167
  4. DOI: 10.1353/tj.2008.0076
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  1. Theatre, Body and Pleasure (review)
  2. Jeffrey Scott
  3. pp. 167-168
  4. DOI: 10.1353/tj.2008.0052
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  1. Against Theatre: Creative Destructions on the Modernist Stage (review)
  2. David S. Escoffery
  3. pp. 168-169
  4. DOI: 10.1353/tj.2008.0058
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  1. Mistero Buffo. The Collected Plays of Dario Fo, Volume Two (review)
  2. Stefano Muneroni
  3. pp. 169-170
  4. DOI: 10.1353/tj.2008.0073
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  1. Stages of Evil: Occultism in Western Theater and Drama (review)
  2. Miriam Kammer
  3. pp. 170-171
  4. DOI: 10.1353/tj.2008.0051
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  1. Editorial Comment
  2. Catherine Schuler
  3. pp. vii-viii
  4. DOI: 10.1353/tj.2008.0046
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  1. Books Received
  3. pp. 172-177
  4. DOI: 10.1353/tj.2008.0049
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