1. Falsifiable Theories for Theatre and Performance Studies
  2. Bruce A. McConachie
  3. pp. 553-577
  4. DOI: 10.1353/tj.2008.0014
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  1. Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre
  2. Amy Cook
  3. pp. 579-594
  4. DOI: 10.1353/tj.2008.0015
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  1. Cultural Evolution and Performance Genres: Memetics in Theatre History and Performance Studies
  2. C. B. Davis
  3. pp. 595-614
  4. DOI: 10.1353/tj.2008.0021
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  1. Theatre Optics: Enlightenment Theatre Architecture in France and the Architectonics of Husserl's Phenomenology
  2. Pannill Camp
  3. pp. 615-633
  4. DOI: 10.1353/tj.2008.0023
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  1. An Enactive Approach to Understanding Acting
  2. Phillip B. Zarrilli
  3. pp. 635-647
  4. DOI: 10.1353/tj.2008.0002
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  1. 365 Days / 365 Plays (review)
  2. Maria Beach
  3. pp. 649-651
  4. DOI: 10.1353/tj.2008.0004
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  1. Dark Nights: The Museum of Soliloquies (review)
  2. Jeanne Willcoxon
  3. pp. 651-652
  4. DOI: 10.1353/tj.2008.0030
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  1. Artistic Ancestry: An International Festival of Alternative Theatre (review)
  2. Leigh Clemons
  3. pp. 652-655
  4. DOI: 10.1353/tj.2008.0001
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  1. The Cone of Uncertainty: New Orleans After Katrina (review)
  2. Matthew Yde
  3. pp. 655-656
  4. DOI: 10.1353/tj.2008.0036
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  1. The Pod Project (review)
  2. Jill Stevenson
  3. pp. 656-658
  4. DOI: 10.1353/tj.2008.0024
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  1. Super Vision (review)
  2. Heidi R. Miller
  3. pp. 658-660
  4. DOI: 10.1353/tj.2008.0020
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  1. Radio Macbeth (review)
  2. Nicholas John Dekker
  3. pp. 660-661
  4. DOI: 10.1353/tj.2008.0033
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  1. The Ambassadors (review)
  2. Robert B. Shimko
  3. pp. 661-662
  4. DOI: 10.1353/tj.2008.0005
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  1. Chekhov Lizardbrain (review)
  2. Celeste DiNucci
  3. pp. 663-664
  4. DOI: 10.1353/tj.2008.0013
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  1. Maggie's Brain (review)
  2. Beth M. Cleary
  3. pp. 664-666
  4. DOI: 10.1353/tj.2008.0035
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  1. Mom How Did You Meet the Beatles?: A True Story of London in the 1960s (review)
  2. Elin Diamond
  3. pp. 666-667
  4. DOI: 10.1353/tj.2008.0040
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  1. The Heidi Chronicles (review)
  2. Jill Dolan
  3. pp. 667-669
  4. DOI: 10.1353/tj.2008.0019
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  1. The Seafarer, and: Rock 'N' Roll (review)
  2. Michael Charles O'Neill
  3. pp. 669-673
  4. DOI: 10.1353/tj.2008.0026
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  1. The Vertical Hour (review)
  2. Kara Reilly
  3. pp. 673-674
  4. DOI: 10.1353/tj.2008.0039
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  1. Equus (review)
  2. Rebecca Gavrila
  3. pp. 674-676
  4. DOI: 10.1353/tj.2008.0022
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  1. Minna Musikaali, and: Suurin on Rakkaus (review)
  2. Dennis Carroll
  3. pp. 676-678
  4. DOI: 10.1353/tj.2008.0029
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  1. Twelve Goddesses (review)
  2. Catherine Diamond
  3. pp. 679-680
  4. DOI: 10.1353/tj.2008.0006
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  1. Nefes (review)
  2. Babak A. Ebrahimian
  3. pp. 680-681
  4. DOI: 10.1353/tj.2008.0031
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  1. The As If Body Loop, and: Strike-Slip (review)
  2. Andrea Grapko
  3. pp. 682-683
  4. DOI: 10.1353/tj.2008.0028
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  1. Performance and Cognition: Theatre Studies and the Cognitive Turn (review)
  2. Mark Pizzato
  3. pp. 685-686
  4. DOI: 10.1353/tj.2008.0032
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  1. Performing Consumers: Global Capital and its Theatrical Seductions (review)
  2. Susan Bennett
  3. pp. 686-687
  4. DOI: 10.1353/tj.2008.0011
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  1. Nature Performed: Environment, Culture and Performance, and: Performing Nature: Explorations in Ecology and the Arts (review)
  2. Wendy Arons
  3. pp. 687-689
  4. DOI: 10.1353/tj.2008.0038
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  1. Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation (review)
  2. Kathryn Farley
  3. pp. 690-691
  4. DOI: 10.1353/tj.2008.0003
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  1. Avant-Garde Performance and the Limits of Criticism (review)
  2. James Martin Harding
  3. pp. 691-692
  4. DOI: 10.1353/tj.2008.0034
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  1. Modern Japanese Theatre and Performance (review)
  2. Loren Edelson
  3. pp. 692-693
  4. DOI: 10.1353/tj.2008.0037
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  1. Avant-Garde Performance: Live Events and Electronic Technologies (review)
  2. Scott W. Cole
  3. pp. 693-694
  4. DOI: 10.1353/tj.2008.0008
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  1. Beyond Victims and Villains: Contemporary Plays by Disabled Playwrights (review)
  2. Ann Fox
  3. pp. 696-697
  4. DOI: 10.1353/tj.2008.0010
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  1. Bodies in Commotion: Disability and Performance (review)
  2. Karen Dearborn
  3. pp. 697-698
  4. DOI: 10.1353/tj.2008.0027
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  1. Ghosts: Death's Double and the Phenomena of Theatre (review)
  2. Kim Solga
  3. pp. 698-699
  4. DOI: 10.1353/tj.2008.0018
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  1. Playing Ourselves: Interpreting Native Histories at Historic Reconstructions (review)
  2. Scott Magelssen
  3. pp. 700-701
  4. DOI: 10.1353/tj.2008.0007
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  1. Cast Out: Queer Lives in Theater (review)
  2. Cheryl Black
  3. pp. 701-702
  4. DOI: 10.1353/tj.2008.0017
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  1. Glamour Addiction: Inside the American Ballroom Dance Industry (review)
  2. J. Ellen Gainor
  3. pp. 702-704
  4. DOI: 10.1353/tj.2008.0016
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  1. Performing Glam Rock: Gender and Theatricality in Popular Music (review)
  2. Andrew Sofer
  3. pp. 704-705
  4. DOI: 10.1353/tj.2008.0012
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  1. Index to Volume 59
  3. pp. 711-719
  4. DOI: 10.1353/tj.2008.0000
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  1. Editorial Comment: Performance and Cognition
  2. David Z. Saltz
  3. pp. ix-xiii
  4. DOI: 10.1353/tj.2008.0009
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  1. American Drama 1945-2000: An Introduction (review)
  2. Jill Dolan
  3. pp. 694-696
  4. DOI: 10.1353/tj.2008.0025
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