In this Issue

Table of Contents

Falsifiable Theories for Theatre and Performance Studies

Bruce A. McConachie
pp. 553-577
DOI: https://doi.org/10.1353/tj.2008.0014
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Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre

Amy Cook
pp. 579-594
DOI: https://doi.org/10.1353/tj.2008.0015
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Cultural Evolution and Performance Genres: Memetics in Theatre History and Performance Studies

C. B. Davis
pp. 595-614
DOI: https://doi.org/10.1353/tj.2008.0021
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Theatre Optics: Enlightenment Theatre Architecture in France and the Architectonics of Husserl's Phenomenology

Pannill Camp
pp. 615-633
DOI: https://doi.org/10.1353/tj.2008.0023
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An Enactive Approach to Understanding Acting

Phillip B. Zarrilli
pp. 635-647
DOI: https://doi.org/10.1353/tj.2008.0002
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365 Days / 365 Plays (review)

Maria Beach
pp. 649-651
DOI: https://doi.org/10.1353/tj.2008.0004
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Dark Nights: The Museum of Soliloquies (review)

Jeanne Willcoxon
pp. 651-652
DOI: https://doi.org/10.1353/tj.2008.0030
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Artistic Ancestry: An International Festival of Alternative Theatre (review)

Leigh Clemons
pp. 652-655
DOI: https://doi.org/10.1353/tj.2008.0001
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The Cone of Uncertainty: New Orleans After Katrina (review)

Matthew Yde
pp. 655-656
DOI: https://doi.org/10.1353/tj.2008.0036
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The Pod Project (review)

Jill Stevenson
pp. 656-658
DOI: https://doi.org/10.1353/tj.2008.0024
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Super Vision (review)

Heidi R. Miller
pp. 658-660
DOI: https://doi.org/10.1353/tj.2008.0020
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Radio Macbeth (review)

Nicholas John Dekker
pp. 660-661
DOI: https://doi.org/10.1353/tj.2008.0033
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The Ambassadors (review)

Robert B. Shimko
pp. 661-662
DOI: https://doi.org/10.1353/tj.2008.0005
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Chekhov Lizardbrain (review)

Celeste DiNucci
pp. 663-664
DOI: https://doi.org/10.1353/tj.2008.0013
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Maggie's Brain (review)

Beth M. Cleary
pp. 664-666
DOI: https://doi.org/10.1353/tj.2008.0035
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Mom How Did You Meet the Beatles?: A True Story of London in the 1960s (review)

Elin Diamond
pp. 666-667
DOI: https://doi.org/10.1353/tj.2008.0040
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The Heidi Chronicles (review)

Jill Dolan
pp. 667-669
DOI: https://doi.org/10.1353/tj.2008.0019
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The Seafarer, and: Rock 'N' Roll (review)

Michael Charles O'Neill
pp. 669-673
DOI: https://doi.org/10.1353/tj.2008.0026
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The Vertical Hour (review)

Kara Reilly
pp. 673-674
DOI: https://doi.org/10.1353/tj.2008.0039
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Equus (review)

Rebecca Gavrila
pp. 674-676
DOI: https://doi.org/10.1353/tj.2008.0022
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Minna Musikaali, and: Suurin on Rakkaus (review)

Dennis Carroll
pp. 676-678
DOI: https://doi.org/10.1353/tj.2008.0029
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Twelve Goddesses (review)

Catherine Diamond
pp. 679-680
DOI: https://doi.org/10.1353/tj.2008.0006
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Nefes (review)

Babak A. Ebrahimian
pp. 680-681
DOI: https://doi.org/10.1353/tj.2008.0031
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The As If Body Loop, and: Strike-Slip (review)

Andrea Grapko
pp. 682-683
DOI: https://doi.org/10.1353/tj.2008.0028
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Performance and Cognition: Theatre Studies and the Cognitive Turn (review)

Mark Pizzato
pp. 685-686
DOI: https://doi.org/10.1353/tj.2008.0032
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Performing Consumers: Global Capital and its Theatrical Seductions (review)

Susan Bennett
pp. 686-687
DOI: https://doi.org/10.1353/tj.2008.0011
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Nature Performed: Environment, Culture and Performance, and: Performing Nature: Explorations in Ecology and the Arts (review)

Wendy Arons
pp. 687-689
DOI: https://doi.org/10.1353/tj.2008.0038
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Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation (review)

Kathryn Farley
pp. 690-691
DOI: https://doi.org/10.1353/tj.2008.0003
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Avant-Garde Performance and the Limits of Criticism (review)

James Martin Harding
pp. 691-692
DOI: https://doi.org/10.1353/tj.2008.0034
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Modern Japanese Theatre and Performance (review)

Loren Edelson
pp. 692-693
DOI: https://doi.org/10.1353/tj.2008.0037
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Avant-Garde Performance: Live Events and Electronic Technologies (review)

Scott W. Cole
pp. 693-694
DOI: https://doi.org/10.1353/tj.2008.0008
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Beyond Victims and Villains: Contemporary Plays by Disabled Playwrights (review)

Ann Fox
pp. 696-697
DOI: https://doi.org/10.1353/tj.2008.0010
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Bodies in Commotion: Disability and Performance (review)

Karen Dearborn
pp. 697-698
DOI: https://doi.org/10.1353/tj.2008.0027
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Ghosts: Death's Double and the Phenomena of Theatre (review)

Kim Solga
pp. 698-699
DOI: https://doi.org/10.1353/tj.2008.0018
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Playing Ourselves: Interpreting Native Histories at Historic Reconstructions (review)

Scott Magelssen
pp. 700-701
DOI: https://doi.org/10.1353/tj.2008.0007
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Cast Out: Queer Lives in Theater (review)

Cheryl Black
pp. 701-702
DOI: https://doi.org/10.1353/tj.2008.0017
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Glamour Addiction: Inside the American Ballroom Dance Industry (review)

J. Ellen Gainor
pp. 702-704
DOI: https://doi.org/10.1353/tj.2008.0016
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Performing Glam Rock: Gender and Theatricality in Popular Music (review)

Andrew Sofer
pp. 704-705
DOI: https://doi.org/10.1353/tj.2008.0012
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Index to Volume 59

pp. 711-719
DOI: https://doi.org/10.1353/tj.2008.0000
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Editorial Comment: Performance and Cognition

David Z. Saltz
pp. ix-xiii
DOI: https://doi.org/10.1353/tj.2008.0009
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American Drama 1945-2000: An Introduction (review)

Jill Dolan
pp. 694-696
DOI: https://doi.org/10.1353/tj.2008.0025
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