In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published byThe MIT Press
viewing issuePAJ 88 (Volume 30, Number 1), January 2008
Table of Contents
- Spalding Gray's Last Interview
- pp. 1-14
- The Threepenny Opera: Drawings
- pp. 32-41
- Australia's Post-Olympic Apocalypse?
- pp. 42-56
- Behind the Bars
- pp. 58-63
- The Materiality of Impermanence
- pp. 64-70
- Tacking in Muddy Waters
- pp. 71-75
- Report from Kabul
- pp. 85-89
- on the propagation of sound
- pp. 90-107
- Specular Suffering: (Staging) the Bleeding Body
- pp. 108-119
- Heaven and Hell: A Comedy
- pp. 129-140
Copyright © 2008 Performing Arts Journal, Inc and it’s authors.