In this Issue

Table of Contents

Vision and Inversion in Nightwood

Jean Gallagher
pp. 279-305
DOI: https://doi.org/10.1353/mfs.2001.0023
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The Narrator in the Closet: The Ambiguous Narrative Voice in Howards End

Paul B. Armstrong
pp. 306-328
DOI: https://doi.org/10.1353/mfs.2001.0013
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Accounting for Slavery: Economic Narratives in Morrison and Faulkner

Erik Dussere
pp. 329-355
DOI: https://doi.org/10.1353/mfs.2001.0021
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Undiscovering the Country: Conrad, Fitzgerald, and Meta-National Form

Peter Lancelot Mallios
pp. 356-390
DOI: https://doi.org/10.1353/mfs.2001.0042
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J. M. Coetzee and the Question of the Body

Brian May
pp. 391-420
DOI: https://doi.org/10.1353/mfs.2001.0044
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Rethinking History as Patchwork: The Case of Atwood's Alias Grace

Magali Cornier Michael
pp. 421-447
DOI: https://doi.org/10.1353/mfs.2001.0045
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The Simple Art of Detection: The Female Detective in Victorian and Contemporary Mystery Novels

Suzanne Young
pp. 448-457
DOI: https://doi.org/10.1353/mfs.2001.0056
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Re-effectuating Joyce

David Herman
pp. 458-464
DOI: https://doi.org/10.1353/mfs.2001.0027
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In Search of African Literary Theory

John C. Hawley
pp. 465-470
DOI: https://doi.org/10.1353/mfs.2001.0026
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Natural Aristocracy: History, Ideology, and the Production of William Faulkner (review)

Ted Atkinson
pp. 473-475
DOI: https://doi.org/10.1353/mfs.2001.0014
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Faulkner on the Color Line: The Later Novels (review)

Karl F. Zender
pp. 475-477
DOI: https://doi.org/10.1353/mfs.2001.0057
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Producing American Races: Henry James, William Faulkner, Toni Morrison (review)

Sharon Patricia Holland
pp. 477-479
DOI: https://doi.org/10.1353/mfs.2001.0029
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Henry James and the Language of Experience (review)

Georgia Kreiger
pp. 479-481
DOI: https://doi.org/10.1353/mfs.2001.0034
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Henry James's Thwarted Love (review)

Dana Luciano
pp. 482-483
DOI: https://doi.org/10.1353/mfs.2001.0039
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The Twentieth-Century World of Henry James: Changes in His Work After 1900 (review)

Irving Malin
pp. 484-485
DOI: https://doi.org/10.1353/mfs.2001.0041
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Immigrant Mothers: Narratives of Race and Maternity, 1890-1925 (review)

Stephanie Bower
pp. 485-487
DOI: https://doi.org/10.1353/mfs.2001.0016
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Willa Cather and the Politics of Criticism (review)

Joseph R. Urgo
pp. 488-489
DOI: https://doi.org/10.1353/mfs.2001.0054
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Contemporary American Indian Literatures and the Oral Tradition (review)

Alanna Kathleen Brown
pp. 490-491
DOI: https://doi.org/10.1353/mfs.2001.0017
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Coyote Kills John Wayne: Postmodernism and Contemporary Fictions of the Transcultural Frontier (review)

Patricia Linton
pp. 492-493
DOI: https://doi.org/10.1353/mfs.2001.0037
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Authentic Blackness: The Folk in the New Negro Renaissance (review)

Crystal J. Lucky
pp. 493-495
DOI: https://doi.org/10.1353/mfs.2001.0040
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Walker Percy's Voices (review)

Kieran Quinlan
pp. 496-497
DOI: https://doi.org/10.1353/mfs.2001.0047
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Hard-Boiled: Working-Class Readers and Pulp Magazines (review)

Andrew Loman
pp. 497-498
DOI: https://doi.org/10.1353/mfs.2001.0038
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Jack Kerouac's Duluoz Legend: The Mythic Form of an Autobiographical Fiction (review)

Matthew Kelley
pp. 499-501
DOI: https://doi.org/10.1353/mfs.2001.0032
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Novels From Reagan's America: A New Realism (review)

Joseph S. Walker
pp. 501-503
DOI: https://doi.org/10.1353/mfs.2001.0055
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Virginia Woolf (review)

Mark Hussey
pp. 504-506
DOI: https://doi.org/10.1353/mfs.2001.0030
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Sympathy and Joyce's Dubliners: Ethical Probing of Reading, Narrative, and Textuality (review)

Celia Marshik
pp. 506-508
DOI: https://doi.org/10.1353/mfs.2001.0043
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Outsiders Together: Virginia and Leonard Woolf (review)

Edward O'Shea
pp. 508-510
DOI: https://doi.org/10.1353/mfs.2001.0046
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Virginia Woolf's Essays (review)

Sonita Sarker
pp. 510-513
DOI: https://doi.org/10.1353/mfs.2001.0050
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"Woman, Your Hour is Sounding": Continuity and Change in French Women's Great War Fiction, 1914-1919 (review)

Suzanne Raitt
pp. 513-515
DOI: https://doi.org/10.1353/mfs.2001.0048
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The Pleasure of Writing: Critical Essays on Dacia Maraini (review)

Laura A. Salsini
pp. 515-517
DOI: https://doi.org/10.1353/mfs.2001.0049
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Prague Territories (review)

Leon Titche
pp. 517-518
DOI: https://doi.org/10.1353/mfs.2001.0052
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Chinese Modern: The Heroic and the Quotidian (review)

Ming-yan Lai
pp. 519-521
DOI: https://doi.org/10.1353/mfs.2001.0035
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Pierre Bourdieu: Fieldwork in Culture (review)

Christopher Lindsay Turner
pp. 522-526
DOI: https://doi.org/10.1353/mfs.2001.0053
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The Agon of Modernism: Wyndham Lewis's Allegories, Aesthetics, and Politics (review)

Elizabeth Hirsh
pp. 526-528
DOI: https://doi.org/10.1353/mfs.2001.0028
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Umberto Eco: Philosophy, Semiotics and the Work of Fiction (review)

Norma Bouchard
pp. 528-530
DOI: https://doi.org/10.1353/mfs.2001.0015
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Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett (review)

Jennifer M. Jeffers
pp. 530-532
DOI: https://doi.org/10.1353/mfs.2001.0031
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How Our Lives Become Stories: Making Selves (review)

Philip Douglas
pp. 532-534
DOI: https://doi.org/10.1353/mfs.2001.0020
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Other Sexes: Rewriting Difference from Woolf to Winterson (review)

Barbara Leckie
pp. 535-537
DOI: https://doi.org/10.1353/mfs.2001.0036
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Straight with a Twist: Queer Theory and the Subject of Heterosexuality (review)

Maureen F. Curtin
pp. 537-539
DOI: https://doi.org/10.1353/mfs.2001.0019
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Countermodernism and Francophone Literary Culture: The Game of Slipknot (review)

Frieda Ekotto
pp. 540-541
DOI: https://doi.org/10.1353/mfs.2001.0022
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Neo-slave Narratives: Studies in the Social Logic of a Literary Form (review)

Eric Gardner
pp. 541-543
DOI: https://doi.org/10.1353/mfs.2001.0024
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Alice to the Lighthouse: Children's Books and Radical Experiments in Art (review)

Jen Shelton
pp. 543-545
DOI: https://doi.org/10.1353/mfs.2001.0051
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In the Age of Distraction (review)

Carol A. Kolmerten
pp. 545-547
DOI: https://doi.org/10.1353/mfs.2001.0033
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Rhetorical Narratology (review)

Peter K. Garrett
pp. 547-549
DOI: https://doi.org/10.1353/mfs.2001.0025
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Contributors

pp. 550-551
DOI: https://doi.org/10.1353/mfs.2001.0018
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