1. "Work Has the Smell of Vinegar": Sensing Class in John Berger's Trilogy
  2. Peter Hitchcock
  3. pp. 12-42
  4. DOI: 10.1353/mfs.2001.0003
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  1. In the Country of Contradiction the Hypocrite is King: Defining Dirty Realism in Charles Bukowski's Factotum
  2. Tamas Dobozy
  3. pp. 43-68
  4. DOI: 10.1353/mfs.2001.0002
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  1. The Politics of Cliche: Sex, Class, and Abortion in Australian Realism
  2. Nicole Moore
  3. pp. 69-91
  4. DOI: 10.1353/mfs.2001.0006
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  1. Cities of Affluence: Masculinity, Class, and The Angry Young Men
  2. Peter J. Kalliney
  3. pp. 92-117
  4. DOI: 10.1353/mfs.2001.0004
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  1. Poles Apart? Ethnicity, Race, Class, and Nelson Algren
  2. Ian Peddie
  3. pp. 118-144
  4. DOI: 10.1353/mfs.2001.0008
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  1. Breaking the Signifying Chain: A New Blueprint for African-American Literary Studies
  2. Bill Mullen
  3. pp. 145-163
  4. DOI: 10.1353/mfs.2001.0007
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  1. The Other Proletarians: Native American Literature and Class Struggle
  2. Tim Libretti
  3. pp. 164-189
  4. DOI: 10.1353/mfs.2001.0005
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  1. The Failures of the Romance: Boredom, Class, and Desire in George Gissing's The Odd Women and W. Somerset Maugham's Of Human Bondage
  2. Lise Shapiro Sanders
  3. pp. 190-228
  4. DOI: 10.1353/mfs.2001.0011
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  1. Domestic Labor: Film Noir, Proletarian Literature, and Black Women's Fiction
  2. Paula Rabinowitz
  3. pp. 229-254
  4. DOI: 10.1353/mfs.2001.0009
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  1. A Theoretical Afterword
  2. Asha Varadharajan
  3. pp. 255-276
  4. DOI: 10.1353/mfs.2001.0012
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  1. Introduction: Working-Class Fictions
  2. Stephen Ross
  3. pp. 1-11
  4. DOI: 10.1353/mfs.2001.0010
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  1. Contributors
  3. pp. 277-278
  4. DOI: 10.1353/mfs.2001.0001
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