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In this Issue

Table of Contents

  1. Compositions of Reality: Photography, History, and Ragtime
  2. Laura Barrett
  3. pp. 801-824
  4. DOI: https://doi.org/10.1353/mfs.2000.0065
  5. restricted access
  1. Performance and the "Strange Place" of Jessie Redmon Fauset's There is Confusion
  2. Susan Levison
  3. pp. 825-848
  4. DOI: https://doi.org/10.1353/mfs.2000.0081
  5. restricted access
  1. The "Walking Wounded": Rethinking Black Women's Identity in Ann Petry's The Street
  2. Carol E. Henderson
  3. pp. 849-867
  4. DOI: https://doi.org/10.1353/mfs.2000.0075
  5. restricted access
  1. Hemingway's Debt to Stendahl's Armance in The Sun Also Rises
  2. Dana Dragunoiu
  3. pp. 868-892
  4. DOI: https://doi.org/10.1353/mfs.2000.0061
  5. restricted access
  1. Tim O'Brien's "True Lies" (?)
  2. Tobey C. Herzog
  3. pp. 893-916
  4. DOI: https://doi.org/10.1353/mfs.2000.0077
  5. restricted access
  1. Ressentiment and the Social Poetics of The Great Gatsby: Fitzgerald Reads Cather
  2. Robert Seguin
  3. pp. 917-940
  4. DOI: https://doi.org/10.1353/mfs.2000.0089
  5. restricted access
  1. No Consensus on Ethics: New Work in Ethical Criticism
  2. Jessica Schiff Berman
  3. pp. 941-948
  4. DOI: https://doi.org/10.1353/mfs.2000.0066
  5. restricted access
  1. Searching for the New Western Literary Criticism
  2. Janet Dean
  3. pp. 949-958
  4. DOI: https://doi.org/10.1353/mfs.2000.0073
  5. restricted access
  1. The Politics of Modernism
  2. Pericles Lewis
  3. pp. 959-965
  4. DOI: https://doi.org/10.1353/mfs.2000.0082
  5. restricted access
  1. Interdisciplinary Modernisms
  2. Jean Gallagher
  3. pp. 966-970
  4. DOI: https://doi.org/10.1353/mfs.2000.0069
  5. restricted access
  1. Psychodynamics, Seeing, and Being in D. H. Lawrence
  2. Elizabeth M. Fox
  3. pp. 971-978
  4. DOI: https://doi.org/10.1353/mfs.2000.0063
  5. restricted access
  1. The Critical Reception of Ishmael Reed
  2. Pierre-Damien Mvuyekure
  3. pp. 979-983
  4. DOI: https://doi.org/10.1353/mfs.2000.0086
  5. restricted access
  1. Polyphony and Memory in James Joyce's Fiction
  2. Beryl Schlossman
  3. pp. 984-988
  4. DOI: https://doi.org/10.1353/mfs.2000.0088
  5. restricted access
  1. Our Henry James?
  2. David Bruce McWhirter
  3. pp. 989-997
  4. DOI: https://doi.org/10.1353/mfs.2000.0085
  5. restricted access
  1. Freedom to Self-Create: Identity and the Politics of Movement in Contemporary African American Fiction
  2. Carol E. Henderson
  3. pp. 998-1003
  4. DOI: https://doi.org/10.1353/mfs.2000.0076
  5. restricted access
  1. Re-Visioning African American Autobiography
  2. Frederick Luis Aldama
  3. pp. 1004-1007
  4. DOI: https://doi.org/10.1353/mfs.2000.0060
  5. restricted access
  1. Tangled Roots: History, Theory, and African American Studies
  2. Ethan Goffman
  3. pp. 1008-1016
  4. DOI: https://doi.org/10.1353/mfs.2000.0074
  5. restricted access
  1. Conjunctions, Disjunctions: Similar Goals, Contradictory Strategies
  2. Arturo Arias
  3. pp. 1017-1024
  4. DOI: https://doi.org/10.1353/mfs.2000.0062
  5. restricted access
  1. Flannery O'Connor and the Mystery of Love (review)
  2. C. Stuart Chapman
  3. pp. 1026-1028
  4. DOI: https://doi.org/10.1353/mfs.2000.0070
  5. restricted access
  1. Caribbean Waves: Relocating Claude McKay and Paule Marshall (review)
  2. John Lowney
  3. pp. 1028-1030
  4. DOI: https://doi.org/10.1353/mfs.2000.0083
  5. restricted access
  1. Quare Joyce (review)
  2. Richard A. Barney
  3. pp. 1031-1033
  4. DOI: https://doi.org/10.1353/mfs.2000.0064
  5. restricted access
  1. Structure and Dissolution in English Writing, 1910-1920 (review)
  2. Andrew Kunka
  3. pp. 1034-1036
  4. DOI: https://doi.org/10.1353/mfs.2000.0080
  5. restricted access
  1. Reading Nathalie Sarraute: Dialogue and Distance (review)
  2. Vivian M. May
  3. pp. 1037-1039
  4. DOI: https://doi.org/10.1353/mfs.2000.0084
  5. restricted access
  1. The Tragedy and Comedy of Resistance: Reading Modernity through Black Women's Fiction (review)
  2. Kimberly D. Blockett
  3. pp. 1039-1040
  4. DOI: https://doi.org/10.1353/mfs.2000.0067
  5. restricted access
  1. Figuring the East: Segalen, Malraux, Duras, and Barthes (review)
  2. Sylvie Blum
  3. pp. 1041-1042
  4. DOI: https://doi.org/10.1353/mfs.2000.0068
  5. restricted access
  1. The Americas of Asian American Literature: Gendered Fictions of Nation and Transnation (review)
  2. Rocío G. Davis
  3. pp. 1043-1044
  4. DOI: https://doi.org/10.1353/mfs.2000.0072
  5. restricted access
  1. Masking Selves, Making Subjects: Japanese American Women, Identity, and the Body (review)
  2. Henry J. Hughes
  3. pp. 1045-1047
  4. DOI: https://doi.org/10.1353/mfs.2000.0078
  5. restricted access
  1. Islands and Exiles: The Creole Identities of Post/Colonial Literature (review)
  2. Kerry L. Johnson
  3. pp. 1047-1049
  4. DOI: https://doi.org/10.1353/mfs.2000.0079
  5. restricted access
  1. The World Wars through the Female Gaze (review)
  2. Margot Norris
  3. pp. 1049-1051
  4. DOI: https://doi.org/10.1353/mfs.2000.0087
  5. restricted access
  1. Writing Masculinities: Male Narratives in Twentieth-Century Fiction (review)
  2. Joyce Piell Wexler
  3. pp. 1051-1054
  4. DOI: https://doi.org/10.1353/mfs.2000.0090
  5. restricted access
  1. Contributors
  3. pp. 1055-1057
  4. DOI: https://doi.org/10.1353/mfs.2000.0071
  5. restricted access