In this Issue

Table of Contents

"I desyre to be paid": Interpreting the Language of Remuneration in Early Modern Dramatic Archives

Kara Northway
pp. 405-422
DOI: https://doi.org/10.1353/cdr.2008.0012
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Wherefore Verona in The Two Gentlemen of Verona ?

David Moore Bergeron
pp. 423-438
DOI: https://doi.org/10.1353/cdr.2008.0002
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Re-membering the Jews: Theatrical Violence in the N-Town Marian Plays

Merrall Llewelyn Price
pp. 439-463
DOI: https://doi.org/10.1353/cdr.2008.0003
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The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation

Mark Bayer
pp. 465-492
DOI: https://doi.org/10.1353/cdr.2008.0000
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Sacerdotal Vestiges in The Tempest

Robert Lanier Reid
pp. 493-513
DOI: https://doi.org/10.1353/cdr.2008.0005
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Found in Translation: Greek Drama in English (review)

David Kutzko
pp. 515-518
DOI: https://doi.org/10.1353/cdr.2008.0006
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Time, Space, and Motion in the Age of Shakespeare (review)

William N. West
pp. 519-521
DOI: https://doi.org/10.1353/cdr.2008.0011
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Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story (review)

Kate Pogue
pp. 522-524
DOI: https://doi.org/10.1353/cdr.2008.0001
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The First Quarto of "Romeo and Juliet" (review)

Beatrice Groves
pp. 525-527
DOI: https://doi.org/10.1353/cdr.2008.0004
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The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner (review)

Marianne Tettlebaum
pp. 527-530
DOI: https://doi.org/10.1353/cdr.2008.0009
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Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction (review)

Amy Muse
pp. 531-533
DOI: https://doi.org/10.1353/cdr.2008.0010
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The Cambridge Companion to Molière (review)

Paul Scott
pp. 533-535
DOI: https://doi.org/10.1353/cdr.2008.0007
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The Henry VI Plays (review)

Randall Martin
pp. 535-537
DOI: https://doi.org/10.1353/cdr.2008.0008
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