1. "I desyre to be paid": Interpreting the Language of Remuneration in Early Modern Dramatic Archives
  2. Kara Northway
  3. pp. 405-422
  4. DOI: 10.1353/cdr.2008.0012
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  1. Wherefore Verona in The Two Gentlemen of Verona ?
  2. David Moore Bergeron
  3. pp. 423-438
  4. DOI: 10.1353/cdr.2008.0002
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  1. Re-membering the Jews: Theatrical Violence in the N-Town Marian Plays
  2. Merrall Llewelyn Price
  3. pp. 439-463
  4. DOI: 10.1353/cdr.2008.0003
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  1. The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation
  2. Mark Bayer
  3. pp. 465-492
  4. DOI: 10.1353/cdr.2008.0000
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  1. Sacerdotal Vestiges in The Tempest
  2. Robert Lanier Reid
  3. pp. 493-513
  4. DOI: 10.1353/cdr.2008.0005
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  1. Found in Translation: Greek Drama in English (review)
  2. David Kutzko
  3. pp. 515-518
  4. DOI: 10.1353/cdr.2008.0006
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  1. Time, Space, and Motion in the Age of Shakespeare (review)
  2. William N. West
  3. pp. 519-521
  4. DOI: 10.1353/cdr.2008.0011
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  1. The First Quarto of "Romeo and Juliet" (review)
  2. Beatrice Groves
  3. pp. 525-527
  4. DOI: 10.1353/cdr.2008.0004
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  1. The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner (review)
  2. Marianne Tettlebaum
  3. pp. 527-530
  4. DOI: 10.1353/cdr.2008.0009
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  1. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction (review)
  2. Amy Muse
  3. pp. 531-533
  4. DOI: 10.1353/cdr.2008.0010
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  1. The Cambridge Companion to Molière (review)
  2. Paul Scott
  3. pp. 533-535
  4. DOI: 10.1353/cdr.2008.0007
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  1. The Henry VI Plays (review)
  2. Randall Martin
  3. pp. 535-537
  4. DOI: 10.1353/cdr.2008.0008
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