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In this Issue

Table of Contents

  1. Introduction: Toward a History of Gothic and Modernism: Dark Modernity from Bram Stoker to Samuel Beckett
  2. John Paul Riquelme
  3. pp. 585-605
  4. DOI: https://doi.org/10.1353/mfs.2000.0055
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Articles

I. The 1890's

  1. Oscar Wilde's Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray
  2. John Paul Riquelme
  3. pp. 609-631
  4. DOI: https://doi.org/10.1353/mfs.2000.0056
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  1. "Double Born": Bram Stoker and the Metrocolonial Gothic
  2. Joseph Valente
  3. pp. 632-645
  4. DOI: https://doi.org/10.1353/mfs.2000.0058
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  1. Oxford's Ghosts: Jude the Obscure and the End of Gothic
  2. Patrick R. O'Malley
  3. pp. 646-671
  4. DOI: https://doi.org/10.1353/mfs.2000.0054
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II. Gothic Popular Forms

  1. Race, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough's The Wind
  2. Susan Kollin
  3. pp. 675-694
  4. DOI: https://doi.org/10.1353/mfs.2000.0053
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  1. "I'm in the Business Too": Gothic Chivalry, Private Eyes, and Proxy Sex and Violence in Chandler's The Big Sleep
  2. Charles J. Rzepka
  3. pp. 695-724
  4. DOI: https://doi.org/10.1353/mfs.2000.0057
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  1. Parodied to Death: The Postmodern Gothic of American Psycho
  2. Ruth Helyer
  3. pp. 725-746
  4. DOI: https://doi.org/10.1353/mfs.2000.0052
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III. The Gothic and Language

  1. Reading Rooms: M.R. James and the Library of Modernity
  2. Penny Fielding
  3. pp. 749-771
  4. DOI: https://doi.org/10.1353/mfs.2000.0050
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  1. "No More Than Ghosts Make": The Hauntology and Gothic Minimalism of Beckett's Late Work
  2. Graham Fraser
  3. pp. 772-785
  4. DOI: https://doi.org/10.1353/mfs.2000.0051
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Review Essay

  1. The Horror, The Horror: Recent Studies in Gothic Fiction
  2. Anne Williams
  3. pp. 789-799
  4. DOI: https://doi.org/10.1353/mfs.2000.0059
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  1. Contributors
  3. pp. 800-801
  4. DOI: https://doi.org/10.1353/mfs.2000.0049
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